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Table of Contents
Introduction : "Wat wrong wit dis place?"
From behind God's back : Janine Antoni's embodied histories
Meeting in the upper room : Belkis Ayón's La cena, 1988-1993
Historical drag : genre, violence, and history in Edouard Duval-Carrié's Mardigras at Fort Dimanche, 1992
The Caribbean does not exist : Maurizio Cattelan's 6th Caribbean Biennial, 1999
Conclusion : "Wrong Way" Lenny, tempests, and other détournements.
From behind God's back : Janine Antoni's embodied histories
Meeting in the upper room : Belkis Ayón's La cena, 1988-1993
Historical drag : genre, violence, and history in Edouard Duval-Carrié's Mardigras at Fort Dimanche, 1992
The Caribbean does not exist : Maurizio Cattelan's 6th Caribbean Biennial, 1999
Conclusion : "Wrong Way" Lenny, tempests, and other détournements.