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Preface: Mark Edward and Stephen Farrier
Notes on Contributors
Foreword by Cheddar Gorgeous
1. From Mainstream to Contextual Drag: Visionary Methods for "Ordinary" Drag, Mark Edward and Stephen Farrier
2. Decolonising Drag: When Queer Asian Artists Do Drag, Hongwei Bao
3. Charting Progress: Chinese Drag Performances 2010-2020, Tan Chengyu
4. "My first words were knock-knock-knock housekeeping": Queer Femme Brownness, Humor, and Whiteness' Performative Drag, Michael Tristano Jr. and Lore/tta LeMaster
5. Drag Queens as Figure Heads in the Struggle for LGBTQ+ Rights, Garjan Sterk
6. Contemporary Drag in the Shadow of RuPaul's Drag Race:
Adaption, Elevation and Contestation, Mark McCormack and Fiona Measham
7. Getting Classy with Drag Performance: Class as Framework, Stephen Farrier
8. Same Old Thing in Brand New Drag: Bowie, Drag, Camp and the Singular Vision of the Ever-Changing Cis White Duke, Matthew Pateman
9. Camp Quips: drag, access and queer crip joy as an act of resistance, Amelia Lander-Cavallo and Al Lander-Cavallo
10. How Does a Dyke Perform Herself? Accessorized Identity in 3 Acts, Wendy Chapkis
11. Linguistics of Drag: Drag Queens and Linguistic Performance of "Feminine" Identity, Maria Szymanska
12. You've Been Framed: Sketching Out the Contours of a Drag-Queer Interpretive Framework, Mark Edward and Chris Greenough.
Afterword: Yet, Not The Last Word, Mark Edward and Stephen Farrier.

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