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Cover
Title Page
Copyright Page
Dedication
Contents
Acknowledgements
Figures
Abbreviations
Introduction Women's Poetry in Italy's Long Seventies
A World Saved by Poetry: Morante and Cavalli
A Quartet for Crowds: Rosselli and Frabotta
Poetics of Becoming: Women's Poetry in Italy's Long Seventies
Chapter 1 A Poetics of Femininity? From scrittura femminile to Minor Literature
A Question of Canonicity
A Semantics of Otherness
A Poetics of Femininity?
Towards Minor Literature
De-territorializing Poetry

Becoming Everything: The Personal is Political
Chapter 2 World: Lightness and Gravity in Morante and Cavalli
The Threshold: World/Word
Metrics
Macrostructure
Repetition, Time
Performativity, Gesture, Space
Chapter 3 Audience: Clarity and Obscurity in Rosselli and Frabotta
Clarity and Obscurity as Structures of Meaning
The Shades of Tradition and Metrics
The Sonnet-Archetype in Documento
The White Noise of Metrical Spaces
The Structure of Documento
The Structure of Il rumore bianco
Epilogue The Personal is Political: Towards a Poetics of Becoming

Genre and Gender
Becoming-Everything/Everybody
Becoming-Woman
Bibliography
Primary Sources
Patrizia Cavalli
Biancamaria Frabotta
Elsa Morante
Amelia Rosselli
Other Primary Sources
Secondary Sources
Criticism on Patrizia Cavalli
Criticism on Biancamaria Frabotta
Criticism on Elsa Morante
Criticism on Amelia Rosselli
General Criticism and Theory
Index

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