Linked e-resources
Details
Table of Contents
List of FIgures
Acknowledgements
Introduction (Charles Clements, Tufts University, USA, Eleanor Green, University of Manchester, UK, and James Martell, Lyon College, USA)
Part I. Natural Bodies
1. Mother Remains: Beckett's autour Function and the Ecological (Jonathan Basile, University of British Columbia, Canada)
2. Nonrelational Literature and Immanent Metaphysics: What Spinoza's Nature Has to Say About Beckett's Form (Charles Clements, Tufts University, USA)
3. "For the space of an instant": Beckett on the Subject of Thought (Bryan Counter, Framingham State University, USA)
4. Enough Is Too Much: Reading Gender through Flowers in Beckett (Eleanor Green, University of Manchester, UK)
5. Clinical Olfactory Environment Shapes Care Relationships in Samuel Beckett's Murphy and Sam Thompson's Jott. (Swati Joshi, Indian Institute of Technology Gandhinagar, India)
Part II. Natural Worlds
6. Breathing Human within Breathless Nature: Waiting for Godot in Pakistan (Saeed Muhammad Nasir, Emerson University Multan, Pakistan)
7. Samuel Beckett's Neo-Biomorphic Playlet Breath (1969) Sets the Stage for the Pirana (Swati Joshi, Indian Institute of Technology Gandhinagar, India)
8. Foreseeing and Foresaying the Buddhist Unborn beyond Birth and Death in Beckett's Ill Seen Ill Said (Asijit Datta, Deemed University, India)
9. Adorno's Dialectic of Natural Beauty and Beckett's Not I (Justin Neville Kaushall, Independent Scholar, UK)
10. The Inanimate Agency: An Object-Oriented Ontological Reading of Beckett's Endgame and Its Anti-Anthropocentric Implications (Mehmet Zeki Giritli, Ko&&&& University, Turkey)
Part III. Natural Literatures
11. Beckett's Foiled Mimesis is/in Nature (James Martell, Lyon College, USA)
12. Beckett and the Scream of Nature (Jean-Michel Rabat&&&&&, University of Pennsylvania, USA)
13. "Everything oozes": On Mud and Molebane in Beckett's Dystopian Landscapes (Stanley E. Gontarski, Florida State University, USA)
14. Denaturing and Renaturing: Samuel Beckett's Reception in Martin McDonagh's Cinema (Jack Dudley, Mount St. Mary's University, USA)
Notes on Contributors
Index.
Acknowledgements
Introduction (Charles Clements, Tufts University, USA, Eleanor Green, University of Manchester, UK, and James Martell, Lyon College, USA)
Part I. Natural Bodies
1. Mother Remains: Beckett's autour Function and the Ecological (Jonathan Basile, University of British Columbia, Canada)
2. Nonrelational Literature and Immanent Metaphysics: What Spinoza's Nature Has to Say About Beckett's Form (Charles Clements, Tufts University, USA)
3. "For the space of an instant": Beckett on the Subject of Thought (Bryan Counter, Framingham State University, USA)
4. Enough Is Too Much: Reading Gender through Flowers in Beckett (Eleanor Green, University of Manchester, UK)
5. Clinical Olfactory Environment Shapes Care Relationships in Samuel Beckett's Murphy and Sam Thompson's Jott. (Swati Joshi, Indian Institute of Technology Gandhinagar, India)
Part II. Natural Worlds
6. Breathing Human within Breathless Nature: Waiting for Godot in Pakistan (Saeed Muhammad Nasir, Emerson University Multan, Pakistan)
7. Samuel Beckett's Neo-Biomorphic Playlet Breath (1969) Sets the Stage for the Pirana (Swati Joshi, Indian Institute of Technology Gandhinagar, India)
8. Foreseeing and Foresaying the Buddhist Unborn beyond Birth and Death in Beckett's Ill Seen Ill Said (Asijit Datta, Deemed University, India)
9. Adorno's Dialectic of Natural Beauty and Beckett's Not I (Justin Neville Kaushall, Independent Scholar, UK)
10. The Inanimate Agency: An Object-Oriented Ontological Reading of Beckett's Endgame and Its Anti-Anthropocentric Implications (Mehmet Zeki Giritli, Ko&&&& University, Turkey)
Part III. Natural Literatures
11. Beckett's Foiled Mimesis is/in Nature (James Martell, Lyon College, USA)
12. Beckett and the Scream of Nature (Jean-Michel Rabat&&&&&, University of Pennsylvania, USA)
13. "Everything oozes": On Mud and Molebane in Beckett's Dystopian Landscapes (Stanley E. Gontarski, Florida State University, USA)
14. Denaturing and Renaturing: Samuel Beckett's Reception in Martin McDonagh's Cinema (Jack Dudley, Mount St. Mary's University, USA)
Notes on Contributors
Index.