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Table of Contents
Introduction: Crime film and the messy city
Parking garage, apartment, disco, skyscraper: Alan J. Pakula's banal modernity
Everyone here is a cop: urban spectatorship in the super cop cycle
Detroit 9000 and Hollywood's Midwest
Bystander effects: Death wish and the Taking of Pelham one two three
Conclusion: The lure of the city.
Parking garage, apartment, disco, skyscraper: Alan J. Pakula's banal modernity
Everyone here is a cop: urban spectatorship in the super cop cycle
Detroit 9000 and Hollywood's Midwest
Bystander effects: Death wish and the Taking of Pelham one two three
Conclusion: The lure of the city.