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Table of Contents
Introduction
Emrys Jones (King's College London, UK) and Madeleine Pelling (University of York, UK)
Part One: New Relationships to Time and History
1. "Huzzah!": Anachronism and the Weird Eighteenth Century in The Great, Stephanie Russo (Macquarie University, Australia)
2. 'Quality Time in the Life of Sensations', Carmen Faye Mathes (McGill University, Canada) and Marisa Grizenko (Independent)
Industry Interviews: Polly Putnam (Collections Curator, Historic Royal Palaces and Historical Consultant, Queen Charlotte: A Bridgerton Story); Anthony Delaney (Actor and author, Queer Georgians)
Part Two: Recuperating Experience
3. 'Back into existence': Remaking Black Enlightenment Lives, James Ward (Ulster University, UK)
4. "Revolution and Sovereignty on the American Stage", Laurie Arnold (Gonzaga University, USA)
Industry Interviews: Charlotte Long (Podcast producer, History Hit Network), Serena Dyer (Historic Dress HIstorian, YouTuber and Presenter)
Part Three: Reworking Genre
5. 'Do Ladies Do That?' in 2021: Period Absurdism's New Queer Histories, Madeleine Saidenberg (University of Oxford, UK)
6. "I'll have Belle for my wife, make no mistake about that": Courtship and Coercion in Beauty and the Beast, Meghan K. Roberts (Bowdoin College, USA)
7. Gaming the Letter: Affective Interfacing from Pamela (1741) to Kind Words (Lo Fi Chill Beats to Write to) (2019), Jack Orchard (University of Oxford, UK)
8. "You are to be fitted for a new wardrobe": Sartorial politics on screen and beyond in Netflix's Bridgerton, Elizabeth Spencer (University of York)
Industry Interview: Joanna Brown (author, as J. T. Williams of Lizzie and Belle Mysteries)
Part Four: Happy Endings
9. 'I come as his right hand': Imagining Pirate Disability, Prosthesis, and Interdependence in Black Sails, Alex Tankard (University of Chester, UK)
10. "Playable Partners: Spectrums of Queer Possibility in Indie Video Games", Emily C. Friedman (Auburn University, USA) and Emily M.N. Kugler (Howard University, USA)
Biography
Index.
Emrys Jones (King's College London, UK) and Madeleine Pelling (University of York, UK)
Part One: New Relationships to Time and History
1. "Huzzah!": Anachronism and the Weird Eighteenth Century in The Great, Stephanie Russo (Macquarie University, Australia)
2. 'Quality Time in the Life of Sensations', Carmen Faye Mathes (McGill University, Canada) and Marisa Grizenko (Independent)
Industry Interviews: Polly Putnam (Collections Curator, Historic Royal Palaces and Historical Consultant, Queen Charlotte: A Bridgerton Story); Anthony Delaney (Actor and author, Queer Georgians)
Part Two: Recuperating Experience
3. 'Back into existence': Remaking Black Enlightenment Lives, James Ward (Ulster University, UK)
4. "Revolution and Sovereignty on the American Stage", Laurie Arnold (Gonzaga University, USA)
Industry Interviews: Charlotte Long (Podcast producer, History Hit Network), Serena Dyer (Historic Dress HIstorian, YouTuber and Presenter)
Part Three: Reworking Genre
5. 'Do Ladies Do That?' in 2021: Period Absurdism's New Queer Histories, Madeleine Saidenberg (University of Oxford, UK)
6. "I'll have Belle for my wife, make no mistake about that": Courtship and Coercion in Beauty and the Beast, Meghan K. Roberts (Bowdoin College, USA)
7. Gaming the Letter: Affective Interfacing from Pamela (1741) to Kind Words (Lo Fi Chill Beats to Write to) (2019), Jack Orchard (University of Oxford, UK)
8. "You are to be fitted for a new wardrobe": Sartorial politics on screen and beyond in Netflix's Bridgerton, Elizabeth Spencer (University of York)
Industry Interview: Joanna Brown (author, as J. T. Williams of Lizzie and Belle Mysteries)
Part Four: Happy Endings
9. 'I come as his right hand': Imagining Pirate Disability, Prosthesis, and Interdependence in Black Sails, Alex Tankard (University of Chester, UK)
10. "Playable Partners: Spectrums of Queer Possibility in Indie Video Games", Emily C. Friedman (Auburn University, USA) and Emily M.N. Kugler (Howard University, USA)
Biography
Index.