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Introduction. Reading prismatically : a spectrum analysis / David LaRocca
Coppola's Conrad : the repetitions of complicity
The foreign offices of British fiction
The avoidance of Stanley Cavell
Gerard Manley Hopkins' phonetic script
Charles Dickens and the plotting of punctuation
John le Carré's cinematographic style
Negative imprints in conceptual art
Narrative afterwording : too close for closure
A dialogue in diffraction / David LaRocca and Garrett Stewart.

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