000179533 000__ 01058mam\a2200301\a\4500 000179533 001__ 179533 000179533 005__ 20210513060139.0 000179533 008__ 951205s1996\\\\njug\\\\\bk\\\001\0\eng\\ 000179533 010__ $$a 95049636 /MN 000179533 020__ $$a081083121X (alk. paper) 000179533 035__ $$a(OCoLC)ocm33947505 000179533 035__ $$9AAU8034SI 000179533 035__ $$a179533 000179533 040__ $$aDLC$$cDLC 000179533 043__ $$an-us--- 000179533 049__ $$aISEA 000179533 05000 $$aML419.P4$$bM37 1996 000179533 08200 $$a788.7/3165/092$$220 000179533 1001_ $$aMartin, Henry,$$d1950- 000179533 24510 $$aCharlie Parker and thematic improvisation /$$cby Henry Martin. 000179533 260__ $$a[Newark, N.J.] :$$bInstitute of Jazz Studies, Rutgers--The State University of New Jersey ;$$aLanham, MD :$$bScarecrow Press,$$cc1996. 000179533 300__ $$axiv, 155 p. :$$bmusic ;$$c23 cm. 000179533 440_0 $$aStudies in jazz ;$$vno. 24 000179533 504__ $$aIncludes bibliographical references (p. 131-133), discography (p. 133-134), and index. 000179533 60010 $$aParker, Charlie,$$d1920-1955$$xCriticism and interpretation. 000179533 650_0 $$aImprovisation (Music) 000179533 650_0 $$aJazz$$xAnalysis, appreciation. 000179533 85200 $$bgen$$hML419.P4$$iM37$$i1996 000179533 909CO $$ooai:library.usi.edu:179533$$pGLOBAL_SET 000179533 948__ $$ac:dh 000179533 980__ $$aBIB 000179533 980__ $$aBOOK