000187032 000__ 01713mam\a2200277\a\4500 000187032 001__ 187032 000187032 005__ 20210513061526.0 000187032 008__ 950731s1996\\\\mau\\\\\\b\\\\001\0\eng\\ 000187032 010__ $$a 95024927 000187032 020__ $$a0807010308 000187032 035__ $$a(OCoLC)ocm32968526 000187032 035__ $$9AAV5847SI 000187032 035__ $$a187032 000187032 040__ $$aDLC$$cDLC$$dC#P$$dCDS 000187032 049__ $$aISEA 000187032 05000 $$aPN1995.9.R4$$bM56 1996 000187032 08200 $$a791.43/682$$220 000187032 1001_ $$aMiles, Margaret R.$$q(Margaret Ruth),$$d1937- 000187032 24510 $$aSeeing and believing :$$breligion and values in the movies /$$cMargaret R. Miles. 000187032 260__ $$aBoston :$$bBeacon Press,$$cc1996. 000187032 300__ $$axvi, 254 p. ;$$c24 cm. 000187032 504__ $$aIncludes bibliographical references (p. 199-238) and index. 000187032 5050_ $$a pt. I. Religion in popular film. Moving shadows: religion and film as cultural products -- "Were you there when they crucified my Lord?" : The Last temptation of Christ; Jesus of Montreal -- Seeing (as if) with our own eyes : The Mission; Romero -- Not with my other: representing Islam and Judaism in a dominantly Christian society : Not without my daughter; The Chosen; Chariots of fire -- There is a bomb in Gilead: Christian fundamentalism in popular film : The Handmaid's tale; The Rapture. pt. II. Race, gender, sexuality, and class in popular film. "Older, wiser, stronger": representation and self-representation : The Long walk home; Daughters of the dust -- Good clean fun: Love in popular film : Thelma and Louise; The Piano -- Bodies, pleasures, and pains : Jungle fever; Paris is burning -- What you see is what you get: religion and values in movies. 000187032 650_0 $$aMotion pictures$$xReligious aspects. 000187032 650_0 $$aReligion in motion pictures. 000187032 85200 $$bgen$$hPN1995.9.R4$$iM56$$i1996 000187032 909CO $$ooai:library.usi.edu:187032$$pGLOBAL_SET 000187032 948__ $$ac:jk 000187032 980__ $$aBIB 000187032 980__ $$aBOOK