000193913 000__ 01090mam\a2200337\a\4500
000193913 001__ 193913
000193913 005__ 20210513083158.0
000193913 008__ 960515s1997\\\\njua\\\\\b\\\\001\0\eng\\
000193913 010__ $$a   96009027
000193913 015__ $$aGB97-33956
000193913 019__ $$a36954983
000193913 020__ $$a0691011737 (alk. paper)
000193913 035__ $$a(OCoLC)ocm34782594
000193913 035__ $$a193913
000193913 040__ $$aDLC$$cDLC$$dUKM
000193913 049__ $$aISEA
000193913 05000 $$aN7480$$b.D33 1997
000193913 08200 $$a701/.18$$220
000193913 1001_ $$aDanto, Arthur C.,$$d1924-2013.
000193913 24510 $$aAfter the end of art :$$bcontemporary art and the pale of history /$$cArthur C. Danto.
000193913 260__ $$aPrinceton, N.J. :$$bPrinceton University Press,$$cc1997.
000193913 300__ $$axx, 239 p. :$$bill. ;$$c25 cm.
000193913 4901_ $$aThe A.W. Mellon lectures in the fine arts ;$$v1995
000193913 4901_ $$aBollingen series ;$$v35, 44
000193913 504__ $$aIncludes bibliographical references and index.
000193913 650_0 $$aArt$$xHistoriography.
000193913 650_0 $$aPostmodernism.
000193913 650_0 $$aArt criticism$$xPhilosophy.
000193913 830_0 $$aBollingen series ;$$v35-44.
000193913 830_0 $$aA.W. Mellon lectures in the fine arts ;$$v1995.
000193913 85200 $$bgen$$hN7480$$i.D33$$i1997
000193913 909CO $$ooai:library.usi.edu:193913$$pGLOBAL_SET
000193913 980__ $$aBIB
000193913 980__ $$aBOOK