000194573 000__ 01165mam\a2200301\a\4500
000194573 001__ 194573
000194573 005__ 20210513083242.0
000194573 008__ 960318s1997\\\\nyua\\\\\b\\\\001\0\eng\\
000194573 010__ $$a   96012174
000194573 020__ $$a0415912458 (pbk. : alk. paper)
000194573 020__ $$a041591244X (alk. paper)
000194573 035__ $$a(OCoLC)ocm34477177
000194573 035__ $$a194573
000194573 040__ $$aDLC$$cDLC
000194573 049__ $$aISEA
000194573 05000 $$aHQ1190$$b.H37 1997
000194573 08200 $$a305.42/01$$220
000194573 1001_ $$aHaraway, Donna Jeanne.
000194573 24510 $$aModest₋Witness@Second₋Millennium.FemaleMan₋Meets₋OncoMouse :$$bfeminism and technoscience /$$cDonna J. Haraway ; with paintings by Lynn M. Randolph.
000194573 260__ $$aNew York :$$bRoutledge,$$c1997.
000194573 300__ $$axi, 361 p. :$$bill. ;$$c23 cm.
000194573 500__ $$aThe title is an email address. On t.p. the hyphens are subscript; "FemaleMan" is followed by the copyright symbol, and "OncoMouse" by the superscript letters "TM."
000194573 504__ $$aIncludes bibliographical references (p. 317-337) and index.
000194573 650_0 $$aFeminist theory.
000194573 650_0 $$aFeminist criticism.
000194573 650_0 $$aTechnology$$xSocial aspects.
000194573 650_0 $$aScience$$xSocial aspects.
000194573 650_0 $$aComputers and civilization.
000194573 85200 $$bgen$$hHQ1190$$i.H37$$i1997
000194573 909CO $$ooai:library.usi.edu:194573$$pGLOBAL_SET
000194573 980__ $$aBIB
000194573 980__ $$aBOOK