000196425 000__ 01186mam\a2200361\a\4500
000196425 001__ 196425
000196425 005__ 20210513083600.0
000196425 008__ 910718s1992\\\\njua\\\\\b\\\\001\0\eng\\
000196425 010__ $$a   91027246
000196425 020__ $$a0691019177 (pbk.)
000196425 020__ $$a0691099723
000196425 035__ $$a(OCoLC)ocm24218967
000196425 035__ $$9AAW6279SI
000196425 035__ $$a196425
000196425 040__ $$aDLC$$cDLC
000196425 043__ $$ae-it---
000196425 049__ $$aISEA
000196425 05000 $$aN6915$$b.S54 1992
000196425 08200 $$a709/.45/09024$$220
000196425 1001_ $$aShearman, John K. G.
000196425 24510 $$aOnly connect-- :$$bart and the spectator in the Italian Renaissance /$$cJohn Shearman.
000196425 260__ $$a[Princeton, N.J.] :$$bPrinceton University Press,$$cc1992.
000196425 300__ $$axvii, 281 p., [24] p. of plates :$$bill. (some col.) ;$$c26 cm.
000196425 440_4 $$aThe A.W. Mellon lectures in the fine arts ;$$v1988
000196425 4901_ $$aBollingen series ;$$vXXXV, 37
000196425 500__ $$a"The National Gallery of Art, Washington, D.C."
000196425 504__ $$aIncludes bibliographical references and index.
000196425 650_0 $$aArt, Italian.
000196425 650_0 $$aArt, Renaissance$$zItaly.
000196425 650_0 $$aAudiences$$xPsychology.
000196425 7102_ $$aNational Gallery of Art (U.S.)
000196425 830_0 $$aBollingen series ;$$v35, 37.
000196425 85200 $$bgen$$hN6915$$i.S54$$i1992
000196425 909CO $$ooai:library.usi.edu:196425$$pGLOBAL_SET
000196425 948__ $$ac:dh
000196425 980__ $$aBIB
000196425 980__ $$aBOOK