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000211406 001__ 211406
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000211406 008__ 990128s1998\\\\cau\\\\\\b\\\\001\0\eng\\
000211406 010__ $$a   97047426
000211406 020__ $$a0804733562 (pbk. : alk. paper)
000211406 020__ $$a0804733554 (alk. paper)
000211406 035__ $$a(OCoLC)ocm38055883
000211406 035__ $$a211406
000211406 040__ $$aDLC$$cDLC$$dVVC
000211406 049__ $$aISEA
000211406 05000 $$aPN3365$$b.H33 1998
000211406 08200 $$a809.3$$221
000211406 1001_ $$aHale, Dorothy J.
000211406 24510 $$aSocial formalism :$$bthe novel in theory from Henry James to the present /$$cDorothy J. Hale.
000211406 260__ $$aStanford :$$bStanford University Press,$$cc1998.
000211406 300__ $$aviii, 251 p. ;$$c23 cm.
000211406 504__ $$aIncludes bibliographical references (p. [229]-242) and index.
000211406 5050_ $$aHenry James, Percy Lubbock, and the formalist vision of the novel -- Vision as voice: Wayne Booth, Gérard Genette, and Roland Barthes -- The visible vocality of ideology: the social formalism of the Bakhtin Circle -- Voice to heteroglossia: Problems of Dostoevsky's poetics and "Discourse in the novel" -- Double vision as double voice: the social formalism of identity studies.
000211406 60010 $$aJames, Henry,$$d1843-1916.
000211406 650_0 $$aFiction$$xHistory and criticism$$xTheory, etc.
000211406 650_0 $$aFiction$$xSocial aspects.
000211406 85200 $$bgen$$hPN3365$$i.H33$$i1998
000211406 909CO $$ooai:library.usi.edu:211406$$pGLOBAL_SET
000211406 980__ $$aBIB
000211406 980__ $$aBOOK