000212836 000__ 00984cam\a2200301\a\45e0 000212836 001__ 212836 000212836 005__ 20210513085159.0 000212836 008__ 990301s1998\\\\nyu\\\\\\b\\\\001\0\eng\\ 000212836 010__ $$a 97024037 000212836 020__ $$a0791437825 (pbk. : alk. paper) 000212836 020__ $$a0791437817 (alk. paper) 000212836 035__ $$a(OCoLC)37442681 000212836 035__ $$a212836 000212836 040__ $$aDLC$$cDLC 000212836 049__ $$aISEA 000212836 05000 $$aPN1995$$b.D52 1998 000212836 08200 $$a791.43/75$$221 000212836 1001_ $$aDixon, Wheeler W.,$$d1950- 000212836 24514 $$aThe transparency of spectacle :$$bmeditations on the moving image /$$cWheeler Winston Dixon. 000212836 260__ $$aAlbany :$$bState University of New York Press,$$cc1998. 000212836 300__ $$axi, 223 p. ;$$c23 cm. 000212836 440_4 $$aThe SUNY series in postmodern culture 000212836 504__ $$aIncludes bibliographical references (p. 187-203) and index. 000212836 650_0 $$aMotion pictures. 000212836 650_0 $$aSpectacular, The. 000212836 650_0 $$aCinematography$$xSpecial effects. 000212836 650_0 $$aMotion picture audiences$$xPsychology. 000212836 85200 $$bgen$$hPN1995$$i.D52$$i1998 000212836 909CO $$ooai:library.usi.edu:212836$$pGLOBAL_SET 000212836 948__ $$aEGLI 000212836 980__ $$aBIB 000212836 980__ $$aBOOK