000213730 000__ 01236cam\a2200265\a\45e0
000213730 001__ 213730
000213730 005__ 20210513085247.0
000213730 008__ 990323s1997\\\\nyua\\\\\b\\\\001\0\eng\\
000213730 010__ $$a   97019863 /MN
000213730 020__ $$a002864655X (alk. paper)
000213730 035__ $$a(OCoLC)ocm36930711
000213730 035__ $$a213730
000213730 040__ $$aDLC$$cDLC$$dPGC
000213730 043__ $$an-us---
000213730 049__ $$aISEA
000213730 05000 $$aML200.5$$b.G36 1997
000213730 08200 $$a780/.973/0904$$221
000213730 1001_ $$aGann, Kyle.
000213730 24510 $$aAmerican music in the twentieth century /$$cKyle Gann.
000213730 2463_ $$aAmerican music in the 20th century
000213730 260__ $$aNew York :$$bSchirmer Books ;$$aLondon :$$bPrentice Hall International,$$cc1997.
000213730 300__ $$axvi, 400 p. :$$bill. ;$$c24 cm.
000213730 504__ $$aIncludes bibliographical references and index.
000213730 5050_ $$aPrelude : What is music? -- Forefathers -- Ultramodernism-- the 1920s -- Populism-- the 1930s -- Experimentalism -- Atonality and European influence -- John Cage and the New York School revolution -- Post-Cage conceptualism -- Minimalism -- New tonality 1-- the new Romanticism -- Electronic music -- Interfaces with rock and jazz -- New tonality 2-- postminimalism -- Totalism and the 1990s.
000213730 650_0 $$aMusic$$zUnited States$$y20th century$$xHistory and criticism.
000213730 85200 $$bgen$$hML200.5$$i.G36$$i1997
000213730 909CO $$ooai:library.usi.edu:213730$$pGLOBAL_SET
000213730 980__ $$aBIB
000213730 980__ $$aBOOK