Introduction: watching ourselves watching / Linda Troost and Sayre Greenfield
Out of the drawing room, onto the lawn / Rachel M. Brownstein
Balancing the courtship hero: masculine emotional display in film adaptations of Austen's novels / Cheryl L. Nixon
Misrepresenting Jane Austen's ladies: revising texts (and history) to sell films / Rebecca Dickson
Austen, class, and the American market / Carol M. Dole
Jane Austen, film, and the pitfalls of postmodern nostalgia / Amanda Collins
"A correct taste in landscape:" Pemberley as fetish and commodity / H. Elisabeth Ellington
Mr. Darcy's body: privileging the female gaze / Lisa Hopkins
Emma becomes clueless / Suzanne Ferriss
"As if!": translating Austen's ironic narrator to film / Nora Nachumi
Emma Thompson's Sense and sensibility as gateway to Austen's novel / M. Casey Diana
"Piracy is our only option": postfeminist intervention in Sense and sensibility / Kristin Flieger Samuelian
Feminist implications of the silver screen Austen / Devoney Looser
Mass marketing Jane Austen: men, women, and courtship in two film adaptations / Deborah Kaplan.