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Klute 1: a contemporary film noir and feminist criticism / Christine Gledhill
Woman's place: the absent family of film noir / Sylvia Harvey
Women in film noir / Janey Place
Duplicity in Mildred Pierce / Pam Cook
The place of women in Fritz Lang's The Blue Gardenia / E. Ann Kaplan
Double indemnity / Claire Johnston
Klute 2: feminism and Klute / Christine Gledhill
Resistance through charisma: Rita Hayworth and Gilda / Richard Dyer
Postscript: queers and women in film noir / Richard Dyer
Female spectator, lesbian spectre: The Haunting / Patricia White
Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer
The postmodern always rings twice: constructing the femme fatale in 90s cinema / Kate Stables
The 'Dark Continet' of film noir: race displacement and metaphor in Tourneur's Cat People (1942) and Welles' The Lady From Shanghai (1948) / E. Ann Kaplan
'Gilda didn't do any of those things you've been losing sleep over!': the central women of 40s films noirs / Angela Martin.
Woman's place: the absent family of film noir / Sylvia Harvey
Women in film noir / Janey Place
Duplicity in Mildred Pierce / Pam Cook
The place of women in Fritz Lang's The Blue Gardenia / E. Ann Kaplan
Double indemnity / Claire Johnston
Klute 2: feminism and Klute / Christine Gledhill
Resistance through charisma: Rita Hayworth and Gilda / Richard Dyer
Postscript: queers and women in film noir / Richard Dyer
Female spectator, lesbian spectre: The Haunting / Patricia White
Femme fatale or lesbian femme: bound in sexual différance / Chris Straayer
The postmodern always rings twice: constructing the femme fatale in 90s cinema / Kate Stables
The 'Dark Continet' of film noir: race displacement and metaphor in Tourneur's Cat People (1942) and Welles' The Lady From Shanghai (1948) / E. Ann Kaplan
'Gilda didn't do any of those things you've been losing sleep over!': the central women of 40s films noirs / Angela Martin.