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pt. 1. Great War and the female observer: eyewitness texts and the subject of propaganda
ch. 1. Edith Wharton and the iconography of war propaganda
ch. 2. Mapping the female observer in A hilltop on the Marne
pt. 2. Regarding Fascism
ch. 3. Stricken field and the field of vision: Fascism, gender, and the specular
ch. 4. Vision, violence, and Vogue: war and correspondence in Lee Miller's photography
pt. 3. Homefront vision and modernist memoir in World War II
ch. 5. Visual disturbances in an expanded field: H.D. and the blitz
ch. 6. Occupation and observer: Gertrude Stein in Vichy France.

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