000228369 000__ 01579cam\a22003494a\45e0 000228369 001__ 228369 000228369 005__ 20210513091617.0 000228369 008__ 990713s1999\\\\maua\\\\\bk\\\001\0deng\\ 000228369 010__ $$a 99039764 000228369 015__ $$aGB99-V1490 000228369 019__ $$a42746005 000228369 020__ $$a067400065X (alk. paper) 000228369 035__ $$a(OCoLC)ocm41932594 000228369 035__ $$a228369 000228369 040__ $$aDLC$$cDLC$$dUKM$$dOCL$$dC#P 000228369 042__ $$apcc 000228369 049__ $$aISEA 000228369 05000 $$aML1015.G9$$bW24 1999 000228369 08200 $$a787.87/19$$221 000228369 1001_ $$aWaksman, Steve. 000228369 24510 $$aInstruments of desire :$$bthe electric guitar and the shaping of musical experience /$$cSteve Waksman. 000228369 260__ $$aCambridge, Mass. :$$bHarvard University Press,$$c1999. 000228369 300__ $$ax, 373 p. :$$bill. ;$$c25 cm. 000228369 504__ $$aIncludes bibliographical references (p. [324]-367), discography (p. [320]-323), and index. 000228369 5050_ $$aPlaying with sound : Charlie Christian, the electric guitar, and the Swing Era -- Pure tones and solid bodies : Les Paul's new sound -- Mister Guitar : Chet Atkins and the Nashville sound -- Racial distortions : Muddy Waters, Chuck Berry, and the electric guitar in Black popular music -- Black sound, Black body : Jimi Hendrix, the electric guitar, and the meanings of blackness -- Kick out the jams! : the MC5 and the politics of noise -- Heavy music : cock rock, colonialism, and Led Zeppelin. 000228369 650_0 $$aElectric guitar$$xHistory. 000228369 650_0 $$aPopular music$$xSocial aspects. 000228369 650_0 $$aGender identity in music. 000228369 650_0 $$aSex in music. 000228369 650_0 $$aMusic and race. 000228369 650_0 $$aGuitarists. 000228369 85200 $$bgen$$hML1015.G9$$iW24$$i1999 000228369 909CO $$ooai:library.usi.edu:228369$$pGLOBAL_SET 000228369 980__ $$aBIB 000228369 980__ $$aBOOK 000228369 994__ $$aE0$$bISE