000247690 000__ 01201cam\a2200277\a\45e0 000247690 001__ 247690 000247690 005__ 20210513094430.0 000247690 008__ 000303s2000\\\\enk\\\\\\b\\\\001\0\eng\\ 000247690 010__ $$a 00028931 000247690 020__ $$a0521794102 (pbk.) 000247690 020__ $$a0521790891 000247690 035__ $$a(OCoLC)ocm43648629 000247690 035__ $$a247690 000247690 040__ $$aDLC$$cDLC$$dCDS 000247690 043__ $$an-us--- 000247690 049__ $$aISEA 000247690 05000 $$aPS350$$b.B54 2000 000247690 08200 $$a812/.5409$$221 000247690 1001_ $$aBigsby, C. W. E. 000247690 24510 $$aModern American drama, 1945-2000 /$$cC.W.E. Bigsby. 000247690 260__ $$aCambridge, UK ;$$aNew York :$$bCambridge University Press,$$cc2000. 000247690 300__ $$axii, 453 p. ;$$c23 cm. 000247690 504__ $$aIncludes bibliographical references (p. 425-440) and index. 000247690 5050_ $$aThe absent voice: American drama and the critic -- Eugene O'Neill's Endgame -- Tennessee Williams: the theatricalising self -- Arthur Miller: the moral imperative -- Edward Albee: journey to apocalypse -- A Broadway interlude -- Sam Shepard: imagining America -- David Mamet: all true stories -- The performing self -- Redefining the centre: politics, race, gender -- Beyond Broadway. 000247690 650_0 $$aAmerican drama$$y20th century$$xHistory and criticism. 000247690 85200 $$bgen$$hPS350$$i.B54$$i2000 000247690 909CO $$ooai:library.usi.edu:247690$$pGLOBAL_SET 000247690 980__ $$aBIB 000247690 980__ $$aBOOK 000247690 994__ $$aE0$$bISE