000253024 000__ 00952cam\a22003014a\45e0 000253024 001__ 253024 000253024 005__ 20210513095229.0 000253024 008__ 010222s2002\\\\enka\\\\\bq\\\001\0\eng\\ 000253024 010__ $$a 2001025411 000253024 015__ $$aGBA1-65586 000253024 020__ $$a0521806771 000253024 035__ $$a(OCoLC)ocm46359525 000253024 035__ $$a253024 000253024 040__ $$aDLC$$cDLC$$dC#P$$dUKM 000253024 042__ $$apcc 000253024 043__ $$aa-ch---$$aa-cc--- 000253024 049__ $$aISEA 000253024 05000 $$aPN1993.5.T28$$bL828 2002 000253024 08200 $$a791.43/095124/9$$221 000253024 1001_ $$aLu, Tonglin. 000253024 24510 $$aConfronting modernity in the cinemas of Taiwan and Mainland China /$$cTonglin Lu. 000253024 260__ $$aCambridge, UK ;$$aNew York :$$bCambridge University Press,$$c2002. 000253024 300__ $$ax, 246 p. :$$bill. ;$$c24 cm. 000253024 504__ $$aIncludes bibliographical references (p. 233-238) and index. 000253024 504__ $$aIncludes filmography: p. 239-241. 000253024 650_0 $$aMotion pictures$$zTaiwan$$xHistory. 000253024 650_0 $$aMotion pictures$$zChina$$xHistory. 000253024 85200 $$bgen$$hPN1993.5.T28$$iL828$$i2002 000253024 909CO $$ooai:library.usi.edu:253024$$pGLOBAL_SET 000253024 980__ $$aBIB 000253024 980__ $$aBOOK 000253024 994__ $$aE0$$bISE