000258482 000__ 00893cam\a2200289Ia\45e0
000258482 001__ 258482
000258482 005__ 20210513100302.0
000258482 008__ 020906s2002\\\\mau\\\\\\\\\\\001\0deng\c
000258482 020__ $$a0306811928
000258482 035__ $$a(OCoLC)ocm50557407
000258482 035__ $$a258482
000258482 040__ $$aZNS$$cZNS$$dTXH$$dOKS
000258482 049__ $$aISEA
000258482 090__ $$aPN1998.3.K34$$bD38 2002
000258482 092__ $$a92$$bK1135, D
000258482 1001_ $$aKael, Pauline.
000258482 24510 $$aAfterglow :$$ba last conversation with Pauline Kael /$$cFrancis Davis.
000258482 24630 $$aLast conversation with Pauline Kael
000258482 250__ $$a1st Da Capo Press ed.
000258482 260__ $$aCambridge, MA :$$bDa Capo Press,$$c2002.
000258482 300__ $$avii, 134 p. ;$$c22 cm.
000258482 500__ $$aIncludes index.
000258482 60010 $$aKael, Pauline$$vInterviews.
000258482 60010 $$aKael, Pauline$$xCareer in Film criticism.
000258482 650_0 $$aFilm critics$$zNew York (State)$$zNew York$$vInterviews.
000258482 7001_ $$aDavis, Francis.
000258482 85200 $$bgen$$hPN1998.3.K34$$iD38$$i2002
000258482 909CO $$ooai:library.usi.edu:258482$$pGLOBAL_SET
000258482 980__ $$aBIB
000258482 980__ $$aBOOK
000258482 994__ $$aE0$$bISE