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"Temples for tomorrow": introductory essay / Geneviv̈e Fabre and Michel Feith
Racial doubt and racial shame in the Harlem Renaissance / Arnold Rampersad
The syncopated African: constructions of origins in the Harlem Renaissance (literature, music, visual arts) / Michel Feith
Oh Africa! The influence of African art during the Harlem Renaissance / Amy H. Kirschke
Florence B. Price's "Negro symphony" / Rae Linda Brown
Ethel Waters: the voice of an era / Randall Cherry
Oscar Micheaux and the Harlem Renaissance / Clyde Taylor
The tragedy and the joke: James Weldon Johnson's The Autobiography of an Ex-Coloured Man / Alessandro Portelli
"The spell of Africa is upon me": W.E.B. DuBois's notion of art as propaganda / Alessandra Lorini
Subject to disappearance: interracial identity in Nella Larsen's Quicksand / George Hutchinson
No free gifts: Toomer's "Fern" and the Harlem Renaissance / William Boelhower
Harlem as a memory place: reconstructing the Harlem Renaissance in space / Dorothea Lb̲bermann
"A basin in the mind": language in Their Eyes Were Watching God / Claudine Raynaud
Langston Hughes's blues / Monica Michlin
The tropics in New York: Claude McKay and the new Negro movement / Carl Pedersen
The West Indian presence in Alain Locke's The New Negro (1925) / Franȯise Charras
Three ways to translate the Harlem Renaissance / Brent Hayes Edwards
The Harlem Renaissance abroad: French critics and the new Negro literary movement (1924-1964) / Michel Fabre.

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