African American performance in the Harlem renaissance
Men in black and white: race and masculinity in the heavyweight title fight of 1910
Exoticism, dance, and racial myths: modern dance and the class divide in the choreography of Aida Overton Walker and Ethel Waters
"The pageant is the thing": black nationalism and The star of Ethiopia
Walter Benjamin and the lynching play: mourning and allegory in Angelina Weld Grimké's Rachel
Migration, fragmentation, and identity: Zora Neale Hurston's Color struck and the geography of the Harlem renaissance
The wages of culture: Alain Locke and the folk dramas of Georgia Douglas Johnson and Willis Richardson
"In the whirlwind and the storm": Marcus Garvey and the performance of black nationalism
Whose role is it, anyway?: Charles Gilpin and the Harlem renaissance
"What constitutes a race drama and how may we know it when we find it?": the little theatre movement and the black public sphere
Shuffle along and the quest for nostalgia: black musicals of the 1920s
Conclusion: the end of "butter side up".