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000264502 001__ 264502
000264502 005__ 20210513101335.0
000264502 008__ 000629s2000\\\\nyu\\\\\\b\\\\001\0\eng\\
000264502 010__ $$a   00010238
000264502 020__ $$a0801486742 (pbk. : alk. paper)
000264502 020__ $$a0801437997 (alk. paper)
000264502 035__ $$a(OCoLC)ocm44593973
000264502 035__ $$a264502
000264502 040__ $$aDLC$$cDLC$$dC#P
000264502 049__ $$aISEA
000264502 05000 $$aPS366.A88$$bG55 2001
000264502 08200 $$a818/.50809492$$221
000264502 1001_ $$aGilmore, Leigh,$$d1959-
000264502 24514 $$aThe limits of autobiography :$$btrauma and testimony /$$cLeigh Gilmore.
000264502 260__ $$aIthaca, N.Y. :$$bCornell University Press,$$c2001.
000264502 300__ $$ax, 163 p. ;$$c23 cm.
000264502 504__ $$aIncludes bibliographical references (p. 149-156) and index.
000264502 5050_ $$aRepresent yourself -- Bastard testimony : illegitimacy and incest in Dorothy Allison's Bastard out of Carolina -- There will always be a father : transference and the auto/biographical demand in Mikal Gilmore's Shot in the heart -- There will always be a mother : Jamaica Kincaid's serial autobiography -- Without names : an anatomy of absence in Jeanette Winterson's Written on the body.
000264502 60010 $$aWinterson, Jeanette,$$d1959-$$tWritten on the body.
000264502 60010 $$aKincaid, Jamaica$$xCriticism and interpretation.
000264502 60010 $$aAllison, Dorothy,$$d1949-$$tBastard out of Carolina.
000264502 60010 $$aGilmore, Mikal.$$tShot in the heart.
000264502 650_0 $$aAmerican prose literature$$y20th century$$xHistory and criticism.
000264502 650_0 $$aAutobiography.
000264502 650_0 $$aEnglish prose literature$$y20th century$$xHistory and criticism.
000264502 650_0 $$aAutobiographical fiction$$xHistory and criticism.
000264502 650_0 $$aFirst person narrative.
000264502 650_0 $$aSelf in literature.
000264502 85200 $$bgen$$hPS366.A88$$iG55$$i2001
000264502 909CO $$ooai:library.usi.edu:264502$$pGLOBAL_SET
000264502 980__ $$aBIB
000264502 980__ $$aBOOK
000264502 994__ $$aE0$$bISE