000264540 000__ 02345cam\a22003014a\45e0 000264540 001__ 264540 000264540 005__ 20210513101340.0 000264540 008__ 011114s2002\\\\kyua\\\\\b\\\\001\0\eng\\ 000264540 010__ $$a 2001007224 000264540 015__ $$aGBA2-X6601 000264540 020__ $$a0813122430 (alk. paper) 000264540 035__ $$a(OCoLC)ocm48468848 000264540 035__ $$a264540 000264540 040__ $$aDLC$$cDLC$$dUKM$$dC#P$$dNOR 000264540 042__ $$apcc 000264540 043__ $$an-us--- 000264540 049__ $$aISEA 000264540 05000 $$aPN1995.9.F54$$bD53 2002 000264540 08200 $$a791.43/655$$221 000264540 1001_ $$aDickos, Andrew,$$d1952- 000264540 24510 $$aStreet with no name :$$ba history of the classic American film noir /$$cAndrew Dickos. 000264540 260__ $$aLexington :$$bUniversity Press of Kentucky,$$cc2002. 000264540 300__ $$axvi, 307 p. :$$bill. ;$$c24 cm. 000264540 504__ $$aIncludes bibliographical references (p. [283]-289) and index. 000264540 50500 $$tTo name the thing : film noir as style, as genre --$$tGerman expressionism and the roots of the film noir --$$tFritz Lang --$$tRobert Siodmak --$$gThe$$tinception of the film noir in the French cinema of the 1930s --$$gThe$$tfilm noir in France in the immediate postwar years --$$g1. The$$tnoir in America --$$gThe$$tnoir city --$$tArchetypes--protagonists --$$tAbraham Polonsky --$$tNicholas Ray --$$tOrson Welles --$$g2. The$$thard-boiled fiction influence --$$tCornell Woolrich --$$gThe$$tprivate detective --$$tHumphrey Bogart, Spade, Marlowe, and the film noir --$$gThe$$tgangster figure and the noir --$$tJohn Huston --$$tViolence in the noir --$$tSamuel Fuller --$$tRobert Aldrich --$$tDon Siegel --$$tSexuality in the noir --$$tFamilies in the noir --$$tJoseph H. Lewis --$$g3.$$tWomen as seen in the film noir --$$tOtto Preminger --$$g4.$$tNoir production --$$tNoir iconography --$$gthe$$tuse of voice-over narration --$$gThe$$tflashback device --$$tAmnesia as a storytelling device --$$gThe$$tB noir production --$$tDocumentary realism in the noir --$$tCritical and popular reception of the film noir --$$tHUAC and the blacklist --$$tFight pictures --$$tCaper films --$$tCrime syndicate exposés --$$gThe$$tKefauver Crime hearings --$$tAnthony Mann --$$tPhil Karlson --$$g5. The$$tnoir influence on the French new wave --$$tJean-Pierre Melville --$$tEpilogue : comments on the classic film noir and the neo-noir. 000264540 650_0 $$aFilm noir$$zUnited States$$xHistory and criticism. 000264540 85200 $$bgen$$hPN1995.9.F54$$iD53$$i2002 000264540 85641 $$3Table of contents$$uhttp://www.loc.gov/catdir/toc/fy031/2001007224.html 000264540 909CO $$ooai:library.usi.edu:264540$$pGLOBAL_SET 000264540 980__ $$aBIB 000264540 980__ $$aBOOK 000264540 994__ $$aE0$$bISE