000265530 000__ 01443cam\a22003254a\45e0 000265530 001__ 265530 000265530 005__ 20210513101548.0 000265530 008__ 010116s2001\\\\ncua\\\\\b\\\\001\0\eng\\ 000265530 010__ $$a 2001018750 000265530 020__ $$a0822325918 (pbk. : alk. paper) 000265530 020__ $$a0822325772 (alk. paper) 000265530 035__ $$a(OCoLC)ocm45756247 000265530 035__ $$a265530 000265530 040__ $$aDLC$$cDLC$$dC#P$$dVVC 000265530 042__ $$apcc 000265530 043__ $$an-us--- 000265530 049__ $$aISEA 000265530 05000 $$aML3556$$b.A53 2001 000265530 08200 $$a780/.89/9607307471$$221 000265530 1001_ $$aAnderson, Paul Allen. 000265530 24510 $$aDeep river :$$bmusic and memory in Harlem Renaissance thought /$$cPaul Allen Anderson. 000265530 260__ $$aDurham :$$bDuke University Press,$$c2001. 000265530 300__ $$ax, 335 p. :$$bill. ;$$c24 cm. 000265530 440_0 $$aNew Americanists 000265530 504__ $$aIncludes bibliographical references (p. [311]-323) and index. 000265530 5050_ $$a"Unvoiced longings": Du Bois and the "sorrow songs" -- Swan songs and art songs: the spirituals and the "new Negro" in the 1920s -- "The twilight of aestheticism": Locke on cosmopolitanism and musical evolution -- "Beneath the seeming informality": Hughes, Hurston, and the politics of form -- Saving jazz from its friends: the predicament of jazz criticism in the swing era. 000265530 650_0 $$aAfrican Americans$$zNew York (State)$$zNew York$$vMusic$$xHistory and criticism. 000265530 650_0 $$aHarlem Renaissance. 000265530 651_0 $$aHarlem (New York, N.Y.)$$xIntellectual life$$y20th century. 000265530 85200 $$bgen$$hML3556$$i.A53$$i2001 000265530 909CO $$ooai:library.usi.edu:265530$$pGLOBAL_SET 000265530 980__ $$aBIB 000265530 980__ $$aBOOK 000265530 994__ $$aE0$$bISE