000268100 000__ 02241cam\a2200421Ia\4500 000268100 001__ 268100 000268100 005__ 20220517082504.0 000268100 006__ m\\\\\o\\d\\\\\\\\ 000268100 007__ cr\cn\nnnunnun 000268100 008__ 021211s2001\\\\enk\\\\\ob\\\\001\0\eng\d 000268100 019__ $$a56766517$$a70743209$$a271785765$$a488803696$$a559359017$$a613340781$$a646706198$$a722105071$$a727989779$$a756843153$$a813439159$$a847334040 000268100 020__ $$a0511016247 (electronic book) 000268100 020__ $$a9780511016240 (electronic book) 000268100 035__ $$a(OCoLC)ocm51209591 000268100 035__ $$a(CaPaEBR)ebr10005714 000268100 035__ $$a268100 000268100 040__ $$aN$T$$cN$T 000268100 049__ $$aINCN 000268100 05014 $$aN6512.5.P6$$bH37 2001eb 000268100 08204 $$a709/.73/09046$$221 000268100 1001_ $$aHarrison, Sylvia,$$d1947- 000268100 24510 $$aPop art and the origins of post-modernism$$h[electronic resource] /$$cSylvia Harrison. 000268100 260__ $$aCambridge ;$$aNew York :$$bCambridge University Press,$$c2001. 000268100 300__ $$a1 online resource (vii, 280 p.) 000268100 4901_ $$aContemporary artists and their critics 000268100 504__ $$aIncludes bibliographical references (p. 223-273) and index. 000268100 50500 $$gPt. 1.$$tTheoretical Framework.$$g1.$$tPost-Modernist Assumptions --$$gPt. 2.$$t"Social" Critics.$$g2.$$tLawrence Alloway: Pop Art and the "Pop Art-Fine Art Continuum"$$g3.$$tHarold Rosenberg: Pop Art and the "De-definition" of Both Art and "Self"$$g4.$$tLeo Steinberg: Pop, "Post-Modernist" Painting, and the Flatbed Picture Plane --$$gPt. 3.$$t"Philosophical" Critics.$$g5.$$tBarbara Rose: Pop, Pragmatism, and "Prophetic Pragmatism"$$g6.$$tMax Kozloff: A Phenomenological Solution to "Warholism" and Its Disenfranchisement of the Critic's Interpretive and Evaluative Roles --$$gPt. 4.$$t"Cultural" Critics.$$g7.$$tSusan Sontag: Pop, the Aesthetics of Silence, and the New Sensibility. 000268100 506__ $$aAccess limited to authorized users. 000268100 588__ $$aDescription based on print version record. 000268100 650_0 $$aPop art$$zUnited States$$xInfluence. 000268100 650_0 $$aPostmodernism$$zUnited States. 000268100 77608 $$iPrint version:$$aHarrison, Sylvia, 1947-$$tPop art and the origins of post-modernism.$$dCambridge ; New York : Cambridge University Press, 2001$$z0521791154$$w(DLC) 00065142$$w(OCoLC)45356863 000268100 830_0 $$aContemporary artists and their critics 000268100 85280 $$bebk$$hEBSCOhost 000268100 85640 $$3EBSCOhost$$uhttps://univsouthin.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=73971$$zOnline Access 000268100 909CO $$ooai:library.usi.edu:268100$$pGLOBAL_SET 000268100 980__ $$aEBOOK 000268100 980__ $$aBIB 000268100 982__ $$aEbook 000268100 983__ $$aOnline 000268100 994__ $$a92$$bINCNA