000268220 000__ 01693cam\a2200385La\4500 000268220 001__ 268220 000268220 005__ 20210513102035.0 000268220 006__ m\\\\\o\\d\\\\\\\\ 000268220 007__ cr\cn\nnnunnun 000268220 008__ 950725s1996\\\\nyua\\\\ob\\\s001\0\eng\d 000268220 019__ $$a42417740 000268220 020__ $$a0585046212 (electronic book) 000268220 035__ $$a(OCoLC)ocm42854984 000268220 035__ $$a268220 000268220 040__ $$aN$T$$cN$T$$dOCL$$dOCLCQ 000268220 049__ $$aINCN 000268220 05014 $$aTR183$$b.L28 1996eb 000268220 08204 $$a770/.1$$220 000268220 1001_ $$aLalvani, Suren,$$d1954- 000268220 24510 $$aPhotography, vision, and the production of modern bodies$$h[electronic resource] /$$cSuren Lalvani. 000268220 260__ $$aAlbany :$$bState University of New York Press,$$cc1996. 000268220 300__ $$a1 online resource (xiv, 265 p.) :$$bill. 000268220 4901_ $$aSUNY series, interruptions -- border testimony(ies) and critical discourse/s 000268220 504__ $$aIncludes bibliographical references (p. [237]-257) and index. 000268220 506__ $$aAccess limited to authorized users. 000268220 588__ $$aDescription based on print version record. 000268220 650_0 $$aPhotography$$xSocial aspects. 000268220 650_0 $$aPhotography$$xSocial aspects$$xHistory$$y19th century. 000268220 650_0 $$aHuman figure in art. 000268220 77608 $$iPrint version:$$aLalvani, Suren, 1954-$$tPhotography, vision, and the production of modern bodies.$$dAlbany : State University of New York Press, c1996$$z079142717X$$w(DLC) 95036567$$w(OCoLC)32923691 000268220 830_0 $$aSUNY series, interruptions -- border testimony(ies) and critical discourse/s. 000268220 85280 $$bebk$$hEBSCOhost 000268220 85640 $$3EBSCOhost$$uhttps://univsouthin.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=6427$$zOnline Access 000268220 909CO $$ooai:library.usi.edu:268220$$pGLOBAL_SET 000268220 980__ $$aEBOOK 000268220 980__ $$aBIB 000268220 982__ $$aEbook 000268220 983__ $$aOnline 000268220 994__ $$a92$$bINCNA