000284479 000__ 01139cam\a2200301\a\45\0 000284479 001__ 284479 000284479 005__ 20210513105047.0 000284479 008__ 031008s2002\\\\nju\\\\\\bq\\\001\0\eng\c 000284479 0167_ $$a008977375$$2Uk 000284479 020__ $$a0813531608 (pbk.) 000284479 020__ $$a0813531594 000284479 035__ $$a(OCoLC)ocm50407177 000284479 035__ $$a284479 000284479 040__ $$aUBY$$cUBY$$dLDL$$dPIT$$dPZI$$dVOC$$dWY@$$dUKM 000284479 042__ $$apcc 000284479 043__ $$an-us--- 000284479 049__ $$aISEA 000284479 050_4 $$aPN1997.5$$b.W45 2002 000284479 0920_ $$a791.4334$$222 000284479 1001_ $$aWells, Paul,$$d1961- 000284479 24510 $$aAnimation and America /$$cPaul Wells. 000284479 260__ $$aNew Brunswick, N.J. :$$bRutgers University Press,$$c2002. 000284479 300__ $$avi, 185 p. ;$$c22 cm. 000284479 504__ $$aIncludes bibliographical references (p. 178-181) and index. 000284479 504__ $$aIncludes filmography (p. 172-177). 000284479 5050_ $$aAcknowledgements -- Introduction : Abdicating all mental law -- Animation and modernism -- Disney effect -- Synaesthetics, subversion, television -- New Disney, old stories? -- New animation auteurs -- United States of the art -- Filmography. 000284479 650_0 $$aAnimated films$$zUnited States$$xHistory and criticism. 000284479 85200 $$bgen$$hPN1997.5$$i.W45$$i2002 000284479 909CO $$ooai:library.usi.edu:284479$$pGLOBAL_SET 000284479 980__ $$aBIB 000284479 980__ $$aBOOK 000284479 994__ $$aC0$$bISE