000284754 000__ 00985cam\a2200289\a\45\0 000284754 001__ 284754 000284754 005__ 20210513105118.0 000284754 008__ 041115s2003\\\\nyua\\\\\b\\\s001\0\eng\\ 000284754 010__ $$a 2002029182 000284754 020__ $$a0791456285 (pbk. : alk. paper) 000284754 020__ $$a0791456277 (alk. paper) 000284754 035__ $$a(OCoLC)ocm50280076 000284754 035__ $$a284754 000284754 040__ $$aDLC$$cDLC$$dISE 000284754 049__ $$aISEA 000284754 05000 $$aPN1995.9.W45$$bF67 2003 000284754 08200 $$a791.43/655$$221 000284754 1001_ $$aFoster, Gwendolyn Audrey. 000284754 24510 $$aPerforming whiteness :$$bpostmodern re/constructions in the cinema /$$cGwendolyn Audrey Foster. 000284754 260__ $$aAlbany :$$bState University of New York Press,$$c2003. 000284754 300__ $$axii, 180 p. :$$bill. ;$$c23 cm. 000284754 440_0 $$aSUNY series in postmodern culture 000284754 504__ $$aIncludes bibliographical references (p. 153-166) and index. 000284754 650_0 $$aWhites in motion pictures. 000284754 650_0 $$aRace relations in motion pictures. 000284754 650_0 $$aSocial problems in motion pictures. 000284754 85200 $$bgen$$hPN1995.9.W45$$iF67$$i2003 000284754 909CO $$ooai:library.usi.edu:284754$$pGLOBAL_SET 000284754 980__ $$aBIB 000284754 980__ $$aBOOK 000284754 994__ $$aC0$$bISE