000287073 000__ 01403pam\a2200289\a\45\0 000287073 001__ 287073 000287073 005__ 20210513105443.0 000287073 008__ 031027s2004\\\\nyua\\\\\b\\\\001\0\eng\\ 000287073 010__ $$a 2003064605 000287073 020__ $$a023111799X (pbk. : alk. paper) 000287073 020__ $$a0231117981 (alk. paper) 000287073 035__ $$a(OCoLC)ocm53369321 000287073 035__ $$a287073 000287073 040__ $$aDLC$$cDLC$$dYDX$$dXMA 000287073 042__ $$apcc 000287073 049__ $$aISEA 000287073 05000 $$aPN1992.8.M87$$bV47 2004 000287073 08200 $$a780.26/7$$222 000287073 1001_ $$aVernallis, Carol. 000287073 24510 $$aExperiencing music video :$$baesthetics and cultural context / Carol Vernallis. 000287073 260__ $$aNew York :$$bColumbia University Press,$$cc2004. 000287073 300__ $$axv, 341 p. :$$bill. ;$$c26 cm. 000287073 504__ $$aIncludes bibliographical references (p. [323]-327) and index. 000287073 5050_ $$aI. Theory: -- Telling and not telling -- Editing -- Actors -- Settings -- Props and costumes -- Interlude : space, color, texture, and time -- Lyrics -- Musical parameters -- Connections among music, image, and lyrics -- Analytical methods -- -- II. Analyses: -- The aesthetics of music video : an analysis of Madonna's "Cherish" -- Desire, opulence, and musical authority : the relation of music and image in Prince's "Gett off" -- Peter Gabriel's elegy for Anne Sexton : image and music in "Mercy St." 000287073 650_0 $$aMusic videos$$xHistory and criticism. 000287073 650_0 $$aMusic videos$$xSocial aspects. 000287073 85200 $$bgen$$hPN1992.8.M87$$iV47$$i2004 000287073 909CO $$ooai:library.usi.edu:287073$$pGLOBAL_SET 000287073 980__ $$aBIB 000287073 980__ $$aBOOK 000287073 994__ $$aC0$$bISE