000288704 000__ 01367cam\a2200289Ia\45\0 000288704 001__ 288704 000288704 005__ 20210513105813.0 000288704 008__ 050114r20042000kyua\\\\\b\\\\001\0ceng\d 000288704 020__ $$a0813190940 (pbk.) 000288704 035__ $$a(OCoLC)ocm57423345 000288704 035__ $$a288704 000288704 040__ $$aTEF$$cTEF 000288704 043__ $$an-us--- 000288704 049__ $$aISEA 000288704 050_4 $$aTR139$$b.M395 2004 000288704 08204 $$a770/.92/273$$aB$$221 000288704 1001_ $$aMcEuen, Melissa A.,$$d1961- 000288704 24510 $$aSeeing America :$$bwomen photographers between the wars /$$cMelissa A. McEuen. 000288704 250__ $$aPbk. ed. 000288704 260__ $$aLexington, Ky. :$$bUniversity Press of Kentucky,$$c2004, c2000. 000288704 300__ $$axi, 360 p. :$$bill. ;$$c22 cm. 000288704 504__ $$aIncludes bibliographical references (p. [331]-347) and index. 000288704 5050_ $$aDocumentarian with props : Doris Ulmann's vision of an ideal America -- Portraitist as documentarian : Dorothea Lange's depiction of American individualism -- A radical vision on film : Marion Post's portrayal of collective strength -- Of machines and people : Margaret Bourke-White's isolation of primary components -- Modernism ascendant : Berenice Abbott's perception of the evolving cityscape. 000288704 650_0 $$aWomen photographers$$zUnited States$$vBiography. 000288704 650_0 $$aDocumentary photography$$zUnited States$$xHistory$$y20th century. 000288704 650_0 $$aPhotography$$zUnited States$$xHistory$$y20th century. 000288704 85200 $$bgen$$hTR139$$i.M395$$i2004 000288704 909CO $$ooai:library.usi.edu:288704$$pGLOBAL_SET 000288704 980__ $$aBIB 000288704 980__ $$aBOOK 000288704 994__ $$aC0$$bISE