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000295321 020__ $$a0815322267 (alk. paper)
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000295321 05000 $$aML3508$$b.E93 2000
000295321 08200 $$a781.65/09$$221
000295321 1001_ $$aEvans, Nicholas M.
000295321 24510 $$aWriting jazz :$$brace, nationalism, and modern culture in the 1920s /$$cNicholas M. Evans.
000295321 260__ $$aNew York :$$bGarland Pub.,$$c2000.
000295321 300__ $$aviii, 321 p. ;$$c23 cm.
000295321 440_0 $$aGarland studies in American popular history and culture
000295321 504__ $$aIncludes bibliographical references (p. 293-306) and index.
000295321 5050_ $$aThings ain't what they used to be? Race and jazz criticism -- Music and national culture -- "The jazz age": nativism, ethnic pluralism, and their discontents -- F. Scott Fitzgerald and the instabilities of whiteness -- Wandering aesthetic, wandering consciousness: Langston Hughes's early jazz poetry -- Where do we go from here?.
000295321 520__ $$aThis study examines how early writers of jazz criticism (such as Gilbert Seldes and Carl Van Vechten) and literature (F. Scott Fitzgerald and Langston Hughes)--as well as "jazz" performers and composers (such as Al Jolson, Sophie Tucker, and George Gershwin)--associated the music directly with questions about identity (racial, ethnic, national, gendered, and sexual) and with historical developments like industrialization. Going beyond the study of melody, harmony, and rhythm, this book's interdisciplinary approach takes seriously the cultural beliefs about jazz that inspired interracial contact, moralistic panic, bohemian slumming, visions of American democracy, and much more. Detailed textual analysis of fiction, nonfiction, film, and musical performance illustrates the complexity of these cultural beliefs in the 1920s and also shows their survival to the present day.
000295321 650_0 $$aJazz$$y1921-1930$$xHistory and criticism.
000295321 650_0 $$aMusic and race.
000295321 650_0 $$aAfrican Americans$$xRace identity.
000295321 85200 $$bgen$$hML3508$$i.E93$$i2000
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