000300361 000__ 01216cam\a2200349\a\45\0 000300361 001__ 300361 000300361 005__ 20210513111748.0 000300361 008__ 940711s1995\\\\enk\\\\\\b\\\\001\0\eng\\ 000300361 010__ $$a 94029938 000300361 015__ $$aGB95-62060 000300361 019__ $$a33665668 000300361 020__ $$a0521473071 000300361 0291_ $$aUKM$$bb9562060 000300361 035__ $$a(OCoLC)ocm30892963 000300361 035__ $$a300361 000300361 040__ $$aDLC$$cDLC$$dUKM$$dBAKER$$dISE 000300361 043__ $$ae-fr--- 000300361 049__ $$aISEA 000300361 05000 $$aP116$$b.T47 1995 000300361 08200 $$a401$$220 000300361 1001_ $$aThomas, Downing A. 000300361 24510 $$aMusic and the origins of language :$$btheories from the French Enlightenment /$$cDowning A. Thomas. 000300361 260__ $$aCambridge ;$$aNew York :$$bCambridge University Press,$$c1995. 000300361 300__ $$axi, 195 p. ;$$c24 cm. 000300361 440_0 $$aNew perspectives in music history and criticism 000300361 504__ $$aIncludes bibliographical references (p. 177-185) and index. 000300361 650_0 $$aLanguage and languages$$xOrigin. 000300361 650_0 $$aMusic and language. 000300361 651_0 $$aFrance$$xIntellectual life$$y18th century. 000300361 85200 $$bgen$$hP116$$i.T47$$i1995 000300361 85642 $$3Publisher description$$uhttp://www.loc.gov/catdir/description/cam026/94029938.html 000300361 85641 $$3Table of contents$$uhttp://www.loc.gov/catdir/toc/cam024/94029938.html 000300361 909CO $$ooai:library.usi.edu:300361$$pGLOBAL_SET 000300361 980__ $$aBIB 000300361 980__ $$aBOOK 000300361 994__ $$aC0$$bISE