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Introduction : positionality and the choreography of theory
The National Ballet of Senegal at a theatre in California
African dance, Africanist discourse, and negritude
The National Ballet of Senegal at a theatre in Dakar
Sabar dances and a women's public sphere
Tales of betrayals
The circulation of dances on and off the stage
Urban ballets and the professionalization of dance
Exploiting terànga
Conclusion : negritude reconsidered.

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