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000305057 001__ 305057
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000305057 010__ $$a  2004000688
000305057 020__ $$a0253344395 (alk. paper)
000305057 020__ $$a0253217016 (pbk. : alk. paper)
000305057 0291_ $$aNLGGC$$b259752754
000305057 035__ $$a(OCoLC)ocm54034688
000305057 035__ $$a305057
000305057 040__ $$aDLC$$cDLC$$dC#P$$dOCL$$dBAKER$$dNLGGC
000305057 043__ $$af------
000305057 049__ $$aISEA
000305057 05000 $$aPN2969$$b.A34 2004
000305057 08200 $$a791/.096/0904$$222
000305057 084__ $$a24.06$$2bcl
000305057 24500 $$aAfrican drama and performance /$$cedited by John Conteh-Morgan and Tejumola Olaniyan.
000305057 260__ $$aBloomington :$$bIndiana University Press,$$cc2004.
000305057 300__ $$avi, 274 p. ;$$c24 cm.
000305057 440_0 $$aAfrican expressive cultures
000305057 504__ $$aIncludes bibliographical references (p. [249]-268) and index.
000305057 5050_ $$aKing Baabu and the Renaissance vision / Wole Soyinka -- Dimensions of theatricality in Africa / Joachim Fiebach -- Theatre and anthropology, theatricality, and culture / Johannes Fabian -- Pre-texts and intermedia: African theatre and the question of history / Ato Quayson -- Soyinka, Euripides, and the anxiety of empire / Isidore Okpewho -- Antigone in the "land of the incorruptible": Sylvain Bemba's Noces posthumes pour santigone (black wedding candles for blessed-Antigone) / John Conteh-Morgan -- Gestural interpretation of the occult in the Bin Kadi-so adaptation of Macbeth / Marie-José Hourantier -- Yoruba gods on the American stage: August Wilson's Joe Turner's come and gone / Sandra L. Richards -- Femi Osofisan: the form of uncommon sense / Tejumola Olaniyan -- Revolution and recidivism: the problem of Kenyan history in the plays of Ngugi wa Thiong'o / Nicholas Brown -- The politics and theatre of Sony Labou Tansi / Dominic Thomas -- Theatre for development and TV nation: notes on educational soap opera in South Africa / Loren Kruger -- Literacy, improvisation, and the virtual script in Yoruba popular theatre / Karin Barber -- "How they see it": the politics and aesthetics of Nigerian video films / Akin Adesokan -- Modernity's trickster: "dipping" and "throwing" in Congolese popular dance music / Bob W. White -- Theatres of truth, acts of reconciliation: the TRC in South Africa / Catherine M. Cole -- The Turner-Schechner model of performance as social drama: a reexamination in light of Anlo-Ewe Haló / Daniel Avorgbedor -- Theatricality and social mimodrama / Pius Ngandu Nkashama.
000305057 650_0 $$aTheater$$zAfrica$$xHistory$$y20th century.
000305057 650_0 $$aPerforming arts$$zAfrica$$xHistory$$y20th century.
000305057 650_0 $$aAfrican drama$$y20th century$$xHistory and criticism.
000305057 7001_ $$aConteh-Morgan, John.
000305057 7001_ $$aOlaniyan, Tejumola.
000305057 85200 $$bgen$$hPN2969$$i.A34$$i2004
000305057 85641 $$3Table of contents$$uhttp://www.loc.gov/catdir/toc/ecip0413/2004000688.html
000305057 909CO $$ooai:library.usi.edu:305057$$pGLOBAL_SET
000305057 980__ $$aBIB
000305057 980__ $$aBOOK
000305057 994__ $$aC0$$bISE