000306650 000__ 01269cam\a2200253\a\45\0 000306650 001__ 306650 000306650 005__ 20210513112743.0 000306650 008__ 011101s2002\\\\ctua\\\\\b\\\\001\0\eng\\ 000306650 010__ $$a 2001006565 000306650 020__ $$a0300092865 (alk. paper) 000306650 035__ $$a(OCoLC)ocm48265531 000306650 035__ $$a306650 000306650 040__ $$aDLC$$cDLC$$dUKM$$dC#P$$dXMA$$dBAKER$$dNLGGC 000306650 049__ $$aISEA 000306650 05000 $$aPQ2603.E378$$bE644 2002 000306650 08200 $$a842/.914$$221 000306650 1001_ $$aGordon, Lois G. 000306650 24510 $$aReading Godot /$$cLois Gordon. 000306650 260__ $$aNew Haven, Conn. :$$bYale University Press,$$cc2002. 000306650 300__ $$a[ix], 214 p. :$$bill. ;$$c22 cm. 000306650 504__ $$aIncludes bibliographical references (p. 199-207) and index. 000306650 5050_ $$aIntroduction --The form of madness: a sensible mess -- -- The first forty years: origins of a vision and form -- -- Waiting for Godot: the existential dimension -- -- The dream as a manifestation of unconscious language and emotion: the conglomerative effect -- -- The conglomerative voice: Cain and Abel -- -- The language of dreams: the anatomy of the conglomerative effect -- -- "The key word is ... 'perhaps' "-- -- Staging the conglomerative effect -- -- Crystallization of a vision and form. 000306650 60010 $$aBeckett, Samuel,$$d1906-1989.$$tEn attendant Godot. 000306650 85200 $$bgen$$hPQ2603.E378$$iE644$$i2002 000306650 909CO $$ooai:library.usi.edu:306650$$pGLOBAL_SET 000306650 980__ $$aBIB 000306650 980__ $$aBOOK 000306650 994__ $$aC0$$bISE