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Texts of the plays / Peer Gynt
Realist cycle: Doll house
Wild duck
Hedda Gabler
Master builder
Backgrounds
Correspondence and documents: Peer Gynt: To Björnstjerne Björnson, 9 December 1867
To Björrnstjerne Björnson, 28 December 1867
To Edward Grieg, 23 January 1874
To Ludwig Passarge, 16 June 1880
To Edmund Gosse, 15 January 1874
Doll house: Alternative German ending
To the Nationaltidende, 17 February 1880
To Heinrich Laube, 18 February 1880
To Moritz Prozor, 23 January 1
Speech at the banquet of the Norwegian League for Women's Rights
Wild Duck: To Frederik Hegel, 2 September 1884
To Hans Schrøder, 14 November 1884
To August Lindberg, 22 November 1884
Hedda Gabler: To Moritz Prozor, 4 December 1890
To Hans Schrøder, 27 December 1890
To Kristina Steen, 14 January 1891
Autobiographical
Sketch of Childhood: To Magdalene Thoresen, 3 December 1865
To Björnstjerne Björnson, 28 January 1865
To Georg(e) Brandes, 20 December 1870
To Georg(e) Brandes, 17 February 1871
To Georg(e) Brandes, 24 September 1871
To Georg(e) Brandes, 30 April 1873
To John Paulsen, 20 September 1879
To Georg(e) Brandes, 11 October 1896
To Georg(e) Brandes, 3 June 1897
To the Reader
Criticism: Peer Gynt
W.H. Auden
Genius and apostle
Doll house: Doll's house again / Bernard Shaw
Introduction to a doll house / Rolf Fjelde
Female become human: Nora transformed / Sandra Saari
Wild duck: Søfuglen (Sea Bird) / J.S. Welhaven
Letter to Clara Rilke / Rainer Maria Rilke
Style as vision: Wild duck, child abuse, and history / Michael Goldman
Hedda Gabler: On the occasion of Hedda Gabler / Henry James
Master builder: On the occasion of the master builder / Henry James
Plot and story in the master builder / Brian Johnston
General themes: Poetry in the round / Einar Haugen
Ibsen's symbolism defined / Jennette Lee
From the Notebooks of Malte Laurids Brigge / Rainer Maria Rilke
Ibsen the Romantic / E.M. Forster
Joyce and Ibsen's naturalism / Hugh Kenner
From the Death of Tragedy / George Steiner
From Henrik Ibsen / G. Wilson Knight
Smiling Ibsen: Comedy and romance in three plays of the prose cycle / Rick Davis
Genre, representation, and the politics of dramatic form: Ibsen's realism / Joan Templeton
Henrik Ibsen: Chronology.
Realist cycle: Doll house
Wild duck
Hedda Gabler
Master builder
Backgrounds
Correspondence and documents: Peer Gynt: To Björnstjerne Björnson, 9 December 1867
To Björrnstjerne Björnson, 28 December 1867
To Edward Grieg, 23 January 1874
To Ludwig Passarge, 16 June 1880
To Edmund Gosse, 15 January 1874
Doll house: Alternative German ending
To the Nationaltidende, 17 February 1880
To Heinrich Laube, 18 February 1880
To Moritz Prozor, 23 January 1
Speech at the banquet of the Norwegian League for Women's Rights
Wild Duck: To Frederik Hegel, 2 September 1884
To Hans Schrøder, 14 November 1884
To August Lindberg, 22 November 1884
Hedda Gabler: To Moritz Prozor, 4 December 1890
To Hans Schrøder, 27 December 1890
To Kristina Steen, 14 January 1891
Autobiographical
Sketch of Childhood: To Magdalene Thoresen, 3 December 1865
To Björnstjerne Björnson, 28 January 1865
To Georg(e) Brandes, 20 December 1870
To Georg(e) Brandes, 17 February 1871
To Georg(e) Brandes, 24 September 1871
To Georg(e) Brandes, 30 April 1873
To John Paulsen, 20 September 1879
To Georg(e) Brandes, 11 October 1896
To Georg(e) Brandes, 3 June 1897
To the Reader
Criticism: Peer Gynt
W.H. Auden
Genius and apostle
Doll house: Doll's house again / Bernard Shaw
Introduction to a doll house / Rolf Fjelde
Female become human: Nora transformed / Sandra Saari
Wild duck: Søfuglen (Sea Bird) / J.S. Welhaven
Letter to Clara Rilke / Rainer Maria Rilke
Style as vision: Wild duck, child abuse, and history / Michael Goldman
Hedda Gabler: On the occasion of Hedda Gabler / Henry James
Master builder: On the occasion of the master builder / Henry James
Plot and story in the master builder / Brian Johnston
General themes: Poetry in the round / Einar Haugen
Ibsen's symbolism defined / Jennette Lee
From the Notebooks of Malte Laurids Brigge / Rainer Maria Rilke
Ibsen the Romantic / E.M. Forster
Joyce and Ibsen's naturalism / Hugh Kenner
From the Death of Tragedy / George Steiner
From Henrik Ibsen / G. Wilson Knight
Smiling Ibsen: Comedy and romance in three plays of the prose cycle / Rick Davis
Genre, representation, and the politics of dramatic form: Ibsen's realism / Joan Templeton
Henrik Ibsen: Chronology.