Contexts for a colonial artist
The legendary Emily Carr
Drawing and insubordination
Missionary in reverse
Among ethnographers and Indian agents
A pictorial record of native villages and totem poles, 1899-1913
They names me Klee Wyck
The despised and joyous way of painting
Old mythological legends: Gitxsan Villages in 1912
A great dignity: Haida Gwaii in 1912
Unchanged by fashion and civilization: Kwakwa̲ka̲'wakw Villages in 1912
The largest collection yet made: Carr's 1913 exhibition in Vancouver and its aftermath
Plates
Homesick for Indian
Out of the wilderness and into the National Gallery
What they are trying to forget: sketching trips from 1928
The big thing that means Canada herself
Retrospect.