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000315179 010__ $$a   00039687
000315179 020__ $$a0674008219 (pbk.)
000315179 020__ $$a978674008212 (pbk.)
000315179 020__ $$a0674004442 (alk. paper)
000315179 020__ $$a9780674004443 (alk. paper)
000315179 035__ $$a(OCoLC)ocm43903765
000315179 035__ $$a315179
000315179 040__ $$aDLC$$cDLC$$dLHA$$dMUQ$$dBAKER$$dNLGGC$$dBTCTA$$dYDXCP$$dISE
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000315179 05000 $$aPN1995.9.S557$$bD38 2000
000315179 08200 $$a791.43/655$$221
000315179 1001_ $$aDavis, Natalie Zemon,$$d1928-
000315179 24510 $$aSlaves on screen :$$bfilm and historical vision /$$cNatalie Zemon Davis.
000315179 260__ $$aCambridge, Mass. :$$bHarvard University Press,$$c2000.
000315179 300__ $$axi, 164 p. :$$bill. ;$$c22 cm.
000315179 504__ $$aIncludes bibliographical references.
000315179 5050_ $$aFilm as historical narrative -- Resistance and survival: Spartacus -- Ceremony and revolt: Burn! and The Last Supper -- Witnesses of trauma: Amistad and Beloved -- Telling the truth.
000315179 650_0 $$aSlavery in motion pictures.
000315179 85200 $$bgen$$hPN1995.9.S557$$iD38$$i2000
000315179 909CO $$ooai:library.usi.edu:315179$$pGLOBAL_SET
000315179 980__ $$aBIB
000315179 980__ $$aBOOK
000315179 994__ $$aC0$$bISE