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000315362 001__ 315362
000315362 005__ 20210513114519.0
000315362 008__ 030401s2003\\\\pau\\\\\\b\\\\001\0\eng\\
000315362 010__ $$a  2003007542
000315362 020__ $$a9780838755631 (alk. paper)
000315362 020__ $$a0838755631 (alk. paper)
000315362 035__ $$a(OCoLC)ocm51977941
000315362 035__ $$a315362
000315362 040__ $$aDLC$$cDLC$$dYDX$$dEYR$$dBAKER$$dUWC$$dYDXCP$$dBTCTA
000315362 049__ $$aISEA
000315362 05000 $$aPN2053$$b.H63 2003
000315362 08200 $$a792/.0233$$221
000315362 1001_ $$aHoman, Sidney,$$d1938-
000315362 24510 $$aStaging modern playwrights :$$bfrom director's concept to performance /$$cSidney Homan.
000315362 260__ $$aLewisburg :$$bBucknell University Press ;$$aLondon :$$bAssociated University Presses,$$cc2003.
000315362 300__ $$a140 p. ;$$c25 cm.
000315362 504__ $$aIncludes bibliographical references (p. 134-136) and index.
000315362 5050_ $$aThe playwright's intentions: Pinter's Old times, Shepard's Curse of the starving class, Beckett's Come and go, and Bogosian's Talk radio -- Actors and their discoveries: Shepard's Curse of the starving class and Feiffer's Litle murders -- Actors, the set, and the audience: Brecht's Galileo, Pinter's The lover and Old times, and other examples -- The actor and the prop: the tape recorder in Beckett's Krapp's last tape -- Building a character's history: Shepard's True west -- Playing the subtext: Pinter's The lover and A kind of Alaska -- Theater from reality: co-author and co-director of More letters to the editor -- Playing the house -- Different audiences.
000315362 650_0 $$aTheater$$xProduction and direction.
000315362 650_0 $$aDrama$$y20th century$$xHistory and criticism.
000315362 85200 $$bgen$$hPN2053$$i.H63$$i2003
000315362 85641 $$3Table of contents$$uhttp://www.loc.gov/catdir/toc/ecip042/2003007542.html
000315362 909CO $$ooai:library.usi.edu:315362$$pGLOBAL_SET
000315362 980__ $$aBIB
000315362 980__ $$aBOOK
000315362 994__ $$aC0$$bISE