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000315861 035__ $$a315861
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000315861 049__ $$aISEA
000315861 050_4 $$aHQ1121$$b.F46 2003
000315861 08204 $$a305.42$$221
000315861 24504 $$aThe feminism and visual culture reader /$$cedited by Amelia Jones.
000315861 260__ $$aLondon ;$$aNew York :$$bRoutledge,$$c2003.
000315861 300__ $$axxix, 560 p. :$$bill., ports. ;$$c25 cm.
000315861 440_0 $$aIn sight
000315861 504__ $$aIncludes bibliographical references and index.
000315861 50500 $$tIntroduction to part one /$$rAmelia Jones --$$tFeminist viewing : viewing feminism /$$rRosemary Betterton --$$tFear and loathing in New York : an impolite anecdote about the interface of homophobia and misogyny /$$rJennifer Doyle --$$tCreating transnational women's art networks /$$rLisa Bloom --$$tOne way or another : black feminist visual theory /$$rJudith Wilson --$$tNext bodies /$$rFaith Wilding --$$gThe$$tunbearable lightness of sight /$$rMeiling Cheng --$$tIntroduction to part two /$$rAmelia Jones --$$tFrom ways of seeing /$$rJohn Berger --$$tFemale imagery /$$rJudy Chicago, Miriam Schapiro --$$tVisual pleasure and narrative cinema /$$rLaura Mulvey --$$tTextual strategies : the politics of art-making /$$rJudith Barry, Sandy Flitterman-Lewis --$$tFilm and the masquerade : theorizing the female spectator /$$rMary Ann Doane --$$tDesiring images/imaging desire /$$rMary Kelly --$$tScreening the seventies: sexuality and representation in feminist practice--a Brechtian perspective /$$rGriselda Pollock --$$gThe$$toppositional gaze: black female spectators /$$rBell Hooks --$$tBroken symmetries: memory, sight, love /$$rPeggy Phelan --$$tIntroduction to part three /$$rAmelia Jones --$$tAny theory of the "subject" has always been appropriated by the "masculine" /$$rLuce Irigaray --$$tLesbian artists /$$rHarmony Hammond --$$gThe$$tstraight mind /$$rMonique Wittig --$$tBlack bodies, white bodies: toward an iconography of female sexuality in late nineteenth-century art, medicine, and literature /$$rSander L. Gilman --$$tDifference : "A special third world women issue" /$$rTrinh T. Minh-ha --$$tOlympia's maid : reclaiming black female subjectivity /$$rLorraine O'Grady --$$gA$$tposttranssexual manifesto /$$rSandy Stone --$$tColor and difference in abstract painting : the ultimate case of monochrome /$$rAnn Eden Gibson --$$gThe$$tother history of intercultural performance /$$rCoco Fusco --$$t"The white to be angry" : Vaginal Creme Davis's terrorist drag /$$rJose Esteban Munoz --$$tIntroduction to part four /$$rAmelia Jones --$$tWhy have there been no great women artists? /$$rLinda Nochlin --$$tFeminism and film : critical approaches /$$rCamera Obscura Collective --$$gThe$$ttriple negation of colored women artists /$$rAdrian Piper --$$tPatrilineage /$$rMira Schor --$$tBathsheba or The interior bible /$$rHelene Cixous --$$tGossip as testimony : a postmodern signature /$$rIrit Rogoff --$$gThe$$tsocial and the poetic : feminist practices in architecture, 1970-2000 /$$rPatricia Morton --
000315861 50580 $$g(cont.)$$tIntroduction to part five /$$rAmelia Jones --$$tHateful contraries : media images of Asian women /$$rPratibha Parmar --$$gThe$$tsearch for tomorrow in today's soap operas /$$rTania Modleski --$$tFeminist media strategies for political performance /$$rSuzanne Lacy, Leslie Labowitz --$$tFeminism, incorporated : reading "postfeminism" in an anti-feminist age /$$rAmelia Jones --$$gThe$$tsuburban home companion : television and the neighborhood ideal in postwar America /$$rLynn Spigel --$$tBlack Barbie and the deep play of difference /$$rAnn duCille --$$gThe$$tGuerrilla Girls introduction and conclusion to the Guerrilla Girls' bedside companion to the history of western art /$$rThe Guerrilla Girls --$$tReflections on a yellow eye : Asian I(\eye/)cons and cosmetic surgery /$$rKathleen Zane --$$tFear of falling /$$rJudith Mayne --$$tIntroduction to part six /$$rAmelia Jones --$$tExternal boundaries /$$rMary Douglas --$$tStreams/all that flows and woman : territory of desire /$$rKlaus Theweleit --$$tPornography /$$rAndrea Dworkin --$$tApproaching abjection /$$rJulia Kristeva --$$tPerformative acts and gender constitution : an essay in phenomenology and feminist theory /$$rJudith Butler --$$tToward a butch-femme aesthetic /$$rSue-Ellen Case --$$tReinstating corporeality : feminism and body politics /$$rJanet Wolff --$$gThe$$tknowledge of the body and the presence of history : toward a feminist architecture /$$rDeborah Fausch --$$gThe$$tballerina's phallic pointe /$$rSusan Leigh Foster --$$tNever just pictures /$$rSusan Bordo --$$tEpilogue to imaginary bodies : ethics, power and corporeality /$$rMoira Gatens --$$tIntroduction to part seven /$$rAmelia Jones --$$gA$$tcyborg manifesto : science, technology, and socialist-feminism in the late twentieth century /$$rDonna Haraway --$$tVirtual bodies and flickering signifiers /$$rN. Katherine Hayles --$$tBodies--cities /$$rElizabeth Grosz --$$tTo touch the other : a story of corpo-electronic surfaces /$$rChristine Ross --$$tPostcolonial media theory /$$rMaria Fernandez --$$tFeminisations : reflections on women and virtual reality /$$rSadie Plant --$$tCyberfeminist manifesto /$$rVNS Matrix --$$tCyberfeminism with a difference /$$rRosi Braidotti --$$gThe$$tappended subject : race and identity as digital assemblage /$$rJennifer Gonzalez --$$tMy womb, the mosh pit /$$rSharon Lehner.
000315861 650_0 $$aFeminism.
000315861 650_0 $$aFeminism and the arts.
000315861 650_0 $$aVisual communication.
000315861 650_0 $$aPopular culture.
000315861 7001_ $$aJones, Amelia.
000315861 85200 $$bgen$$hHQ1121$$i.F46$$i2003
000315861 909CO $$ooai:library.usi.edu:315861$$pGLOBAL_SET
000315861 980__ $$aBIB
000315861 980__ $$aBOOK
000315861 994__ $$aC0$$bISE