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000316038 001__ 316038
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000316038 008__ 961104r19961994miu\\\\\\b\\\\001\0\eng\d
000316038 020__ $$a9780472084050 (pbk.)
000316038 020__ $$a0472084054 (pbk.)
000316038 035__ $$a(OCoLC)ocm35839251
000316038 035__ $$a316038
000316038 040__ $$aABF$$cABF$$dOCL$$dOCLCQ$$dBAKER
000316038 043__ $$ae-uk-en
000316038 049__ $$aISEA
000316038 08204 $$a822.3/3$$220
000316038 090__ $$aPR3095$$b.S524 1996
000316038 1001_ $$aShapiro, Michael,$$d1938-
000316038 24510 $$aGender in play on the Shakespearean stage :$$bboy heroines and female pages /$$cMichael Shapiro.
000316038 250__ $$a1st pbk. ed.
000316038 260__ $$aAnn Arbor :$$bUniversity of Michigan Press,$$c1996, c1994.
000316038 300__ $$aviii, 282 p. ;$$c23 cm.
000316038 504__ $$aIncludes bibliographical references (p. 235-275) and index.
000316038 5050_ $$aA brief social history of female cross-dressing -- Male cross-dressing in playhouses and plays -- Cross-gender disguise plus cross-gender casting -- Bringing the page onstage: The two gentlemen of Verona -- Doubling of cross-gender disguise: The merchant of Venice -- Layers of disguise: As you like it -- Anxieties of intimacy: Twelfth night -- From center to periphery: Cymbeline.
000316038 60010 $$aShakespeare, William,$$d1564-1616$$xStage history$$yTo 1625.
000316038 60010 $$aShakespeare, William,$$d1564-1616$$xDramatic production.
000316038 60010 $$aShakespeare, William,$$d1564-1616$$xCharacters$$xWomen.
000316038 650_0 $$aTheater$$xCasting$$zEngland$$xHistory$$y16th century.
000316038 650_0 $$aTheater$$xCasting$$zEngland$$xHistory$$y17th century.
000316038 650_0 $$aChild actors$$zEngland$$xHistory.
000316038 650_0 $$aGender identity in literature.
000316038 650_0 $$aSex role in literature.
000316038 650_0 $$aDisguise in literature.
000316038 650_0 $$aWomen in literature.
000316038 85200 $$bgen$$hPR3095$$i.S524$$i1996
000316038 909CO $$ooai:library.usi.edu:316038$$pGLOBAL_SET
000316038 980__ $$aBIB
000316038 980__ $$aBOOK
000316038 994__ $$aC0$$bISE