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000317077 001__ 317077
000317077 005__ 20210513114933.0
000317077 008__ 971203s1998\\\\ctu\\\\\\b\\\\001\0\eng\\
000317077 010__ $$a   97050585
000317077 020__ $$a9780300072280 (alk. paper)
000317077 020__ $$a0300072287 (alk. paper)
000317077 035__ $$a(OCoLC)ocm38270156
000317077 035__ $$a317077
000317077 040__ $$aDLC$$cDLC$$dC#P$$dUKM$$dNOR$$dMUQ$$dBAKER$$dNLGGC$$dBTCTA$$dYDXCP
000317077 043__ $$ae-gx---
000317077 049__ $$aISEA
000317077 05000 $$aML3797$$b.P67 1998
000317077 08200 $$a780/.7/2043$$221
000317077 1001_ $$aPotter, Pamela Maxine.
000317077 24510 $$aMost German of the arts :$$bmusicology and society from the Weimar Republic to the end of Hitler's Reich /$$cPamela M. Potter.
000317077 260__ $$aNew Haven :$$bYale University Press,$$cc1998.
000317077 300__ $$axx, 364 p. ;$$c25 cm.
000317077 504__ $$aIncludes bibliographical references (p. 341-356) and index.
000317077 50500 $$t1. The$$tbackground : music and German society, 1918-1945 --$$g2.$$tMusicologists on their role in modern German society --$$g3. The$$torganization and reorganization of musicological scholarship --$$g4.$$tMusicology in the university --$$g5.$$tNew opportunities outside the university, 1933-1945 --$$g6. The$$tshaping of new methodologies --$$g7.$$tAttempts to define "Germanness" in music --$$g8.$$tDenazification and the German musicological legacy.
000317077 650_0 $$aMusicology$$zGermany$$xHistory$$y20th century.
000317077 650_0 $$aMusic$$xSocial aspects$$zGermany.
000317077 650_0 $$aNationalism in music.
000317077 650_0 $$aNational socialism and music.
000317077 650_0 $$aDenazification.
000317077 85200 $$bgen$$hML3797$$i.P67$$i1998
000317077 85642 $$3Book review (H-Net)$$uhttp://www.h-net.org/review/hrev-a0b1m1-aa
000317077 85642 $$3Book review (H-Net)$$uhttp://www.h-net.org/review/hrev-a0a9w6-aa
000317077 909CO $$ooai:library.usi.edu:317077$$pGLOBAL_SET
000317077 980__ $$aBIB
000317077 980__ $$aBOOK
000317077 994__ $$aC0$$bISE