000317236 000__ 03021cgm\a2200517Ia\4500 000317236 001__ 317236 000317236 005__ 20210513114951.0 000317236 007__ vd\mvaizu 000317236 008__ 060116p19981993gw\188\\\\\\\\\\\\vlger\d 000317236 0241_ $$a738329010720 000317236 02842 $$aK107 DVD$$bKino on Video 000317236 035__ $$a(OCoLC)ocm41464443 000317236 035__ $$a317236 000317236 040__ $$aCOD$$cCOD$$dEMU$$dMNM$$dMBB$$dTXI 000317236 0410_ $$agereng$$beng 000317236 043__ $$ae-gx--- 000317236 049__ $$aISEA 000317236 050_4 $$aPN1998.3.R54$$bW66 1998 000317236 08204 $$a791.43023 000317236 24504 $$aThe Wonderful, horrible life of Leni Riefenstahl$$h[videorecording] /$$cKino International ; Omega Films, Nomad Films present a Ray Müller film ; written and directed by Ray Müller ; a co-production of Omega Films, Nomad Films, Channel 4, Zweites Deutsches Fernsehen. 000317236 2463_ $$aMacht der Bilder--Leni Reifenstahl 000317236 2463_ $$aPower of the Image--Leni Riefenstahl 000317236 260__ $$aNew York, NY :$$bKino International Corp. :$$bDistributed by Kino on Video,$$cc1998. 000317236 300__ $$a1 videodisc (188 min.) :$$bsd., col. with b&w sequences ;$$c4 3/4 in. 000317236 500__ $$aOriginally produced as a German documentary in 1993. 000317236 5050_ $$aPhotographic memories -- Discovering the movies -- 'The Sacred Mountain' (1926) -- 'The Big Leap' (1927) -- 'The While Hell of Pitz Palü' (1929) -- 'The Blue Light' (1932) -- "I hadn't even heard of Hitler" -- 'S.O.S. Iceberg' (1933) -- "What was my responsibility?" -- 'Olympia' (1938) -- 400 km of film -- Kristallnacht -- 'Tiefland' (1954) -- "All our ideals were shattered" -- Nuba -- Fascist aesthetic -- Refuge undersea -- "Being sorry isn't enough". 000317236 508__ $$aCamera, Walter A. Franke, Michel Baudour, Jürgen Martin ... [et al.] ; editors, Beate Köster, Vera Dubsikova ; music, Ulrich Bassenge, Wolfgang Neumann. 000317236 520__ $$aAt the heart of this film is the question of whether Leni Riefenstahl was a Nazi, as her detractors claim, or whether she was the victim of society -- a naive, young woman who made Triumph des Willens on assignment, and simply did a very good job. This film does not judge, and Riefenstahl (a fiesty 90 during production) is genuine in her protest. Or has the passage of 50-plus years simply rewritten history in her mind? Viewers must judge for themselves. 000317236 538__ $$aDVD. 000317236 546__ $$aIn German with English subtitles and narration. 000317236 60010 $$aRiefenstahl, Leni. 000317236 60010 $$aRiefenstahl, Leni$$vInterviews. 000317236 650_0 $$aWomen motion picture producers and directors$$zGermany. 000317236 650_0 $$aWomen motion picture producers and directors$$zGermany$$vBiography. 000317236 650_0 $$aWomen motion picture producers and directors$$zGermany$$vInterviews. 000317236 650_0 $$aMotion pictures$$zGermany. 000317236 650_0 $$aForeign films. 000317236 650_0 $$aDocumentary films. 000317236 7001_ $$aMüller, Ray. 000317236 7001_ $$aRiefenstahl, Leni. 000317236 7102_ $$aKino International Corporation. 000317236 7102_ $$aOmega Film. 000317236 7102_ $$aNomad Films. 000317236 7102_ $$aChannel Four (Great Britain) 000317236 7102_ $$aZweites Deutsches Fernsehen. 000317236 85200 $$bdvd$$hPN1998.3.R54$$iW66$$i1998 000317236 909CO $$ooai:library.usi.edu:317236$$pGLOBAL_SET 000317236 980__ $$aBIB 000317236 980__ $$aDVD 000317236 994__ $$aC0$$bISE