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000318897 008__ 050722s2006\\\\ctu\\\\\\b\\\\001\0ceng\\
000318897 010__ $$a  2005020947
000318897 020__ $$a9780275985424 (alk. paper)
000318897 020__ $$a0275985423 (alk. paper)
000318897 035__ $$a(OCoLC)ocm61151531
000318897 035__ $$a318897
000318897 040__ $$aDLC$$cDLC$$dYDXCP$$dBAKER$$dIXA$$dNBU$$dOCLCQ$$dBTCTA
000318897 042__ $$apcc
000318897 043__ $$an-us---
000318897 049__ $$aISEA
000318897 05000 $$aPN1998.2$$b.M425 2006
000318897 08200 $$a812/.54099287$$aB$$222
000318897 1001_ $$aMcCreadie, Marsha,$$d1943-
000318897 24510 $$aWomen screenwriters today :$$btheir lives and words /$$cMarsha McCreadie.
000318897 260__ $$aWestport, Conn. :$$bPraeger Publishers,$$c2006.
000318897 300__ $$axxiv, 176 p. ;$$c25 cm.
000318897 504__ $$aIncludes bibliographical references (p. [169]-171) and index.
000318897 5050_ $$aGiving melodrama a good name: the film of sensibility -- Vets and lifers: how they got and stayed in -- The new professionals -- Breakaway queens and genre benders: women writers stretching and bending the film form -- Adaptation -- The independents: finding a perch, having their say -- The pragmatists: moving between film and television -- The smaller screen--TV: a better fit for women? -- The view from abroad -- Conclusion -- Appendix: brief biographies of the women screenwriters.
000318897 650_0 $$aWomen screenwriters$$zUnited States$$vBiography.
000318897 650_0 $$aMotion picture authorship$$zUnited States.
000318897 85200 $$bgen$$hPN1998.2$$i.M425$$i2006
000318897 85641 $$3Table of contents$$uhttp://www.loc.gov/catdir/toc/ecip0516/2005020947.html
000318897 909CO $$ooai:library.usi.edu:318897$$pGLOBAL_SET
000318897 980__ $$aBIB
000318897 980__ $$aBOOK
000318897 994__ $$aC0$$bISE