000321631 000__ 01573cam\a22003374a\4500 000321631 001__ 321631 000321631 005__ 20210513115909.0 000321631 008__ 060215s2006\\\\njua\\\\\b\\\\001\0\eng\\ 000321631 010__ $$a 2006005429 000321631 019__ $$a76797499 000321631 020__ $$a9780691127309 (alk. paper) 000321631 020__ $$a0691127301 (alk. paper) 000321631 035__ $$a(OCoLC)ocm64098525 000321631 035__ $$a321631 000321631 040__ $$aDLC$$cDLC$$dBAKER$$dUKM$$dC#P$$dCOO$$dGZM$$dBTCTA$$dYDXCP$$dNLGGC 000321631 042__ $$apcc 000321631 043__ $$an-us--- 000321631 049__ $$aISEA 000321631 05000 $$aML2054$$b.M353 2006 000321631 08200 $$a792.60973$$222 000321631 1001_ $$aMcMillin, Scott,$$d1934-2006. 000321631 24514 $$aThe musical as drama :$$ba study of the principles and conventions behind musical shows from Kern to Sondheim /$$cScott McMillin. 000321631 260__ $$aPrinceton, N.J. :$$bPrinceton University Press,$$cc2006. 000321631 300__ $$axvi, 230 p. :$$bill. ;$$c23 cm. 000321631 504__ $$aIncludes bibliographical references (p. [213]-219) and index. 000321631 5050_ $$aIntegration and difference -- The book and the numbers -- Character and the voice of the musical -- The ensemble effect -- The drama of numbers -- The orchestra -- Narration and technology : systems of omniscience -- What kind of drama is this? 000321631 650_0 $$aMusicals$$zUnited States$$xHistory and criticism. 000321631 85200 $$bgen$$hML2054$$i.M353$$i2006 000321631 85641 $$3Table of contents only$$uhttp://www.loc.gov/catdir/toc/ecip068/2006005429.html 000321631 85642 $$3Publisher description$$uhttp://www.loc.gov/catdir/enhancements/fy0654/2006005429-d.html 000321631 85642 $$3Contributor biographical information$$uhttp://www.loc.gov/catdir/enhancements/fy0734/2006005429-b.html 000321631 909CO $$ooai:library.usi.edu:321631$$pGLOBAL_SET 000321631 980__ $$aBIB 000321631 980__ $$aBOOK 000321631 994__ $$aC0$$bISE