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"I belong in little towns": Anderson's provincial postmodernism
The interpretation of dreams: aesthetic crises in "Hands"
Onanism in Eden: loving and hating women in "Respectability"
Moving on up and staying there: the social success as grotesque in "The strength of God"
Enoch Robinson is the woman in the shadows: the critique of the romantic artist in "Loneliness"
Going all the way when you can't go far: sex, class, and identity in "Nobody knows"
Men are stupid critics; women are discerning artists.
The interpretation of dreams: aesthetic crises in "Hands"
Onanism in Eden: loving and hating women in "Respectability"
Moving on up and staying there: the social success as grotesque in "The strength of God"
Enoch Robinson is the woman in the shadows: the critique of the romantic artist in "Loneliness"
Going all the way when you can't go far: sex, class, and identity in "Nobody knows"
Men are stupid critics; women are discerning artists.