000328394 000__ 01291cam\a2200301\a\4500 000328394 001__ 328394 000328394 005__ 20210513121311.0 000328394 008__ 070105s2007\\\\ctuaf\\\\b\\\\001\0\eng\\ 000328394 010__ $$a 2007000419 000328394 020__ $$a9780313335525 (alk. paper) 000328394 020__ $$a0313335524 (alk. paper) 000328394 035__ $$a(OCoLC)ocm77767084 000328394 035__ $$a328394 000328394 040__ $$aDLC$$cDLC$$dBAKER$$dBTCTA$$dC#P$$dYDXCP$$dIXA$$dOCLCG 000328394 043__ $$an-us--- 000328394 049__ $$aISEA 000328394 05000 $$aML3917.U6$$bO44 2007 000328394 08200 $$a780.973/09034$$222 000328394 1001_ $$aOgasapian, John. 000328394 24510 $$aMusic of the gilded age /$$cJohn Ogasapian and N. Lee Orr. 000328394 260__ $$aWestport, Conn. :$$bGreenwood Press,$$c2007. 000328394 300__ $$ax, 204 p., [14] p. of plates :$$bill. ;$$c25 cm. 000328394 440_0 $$aAmerican history through music 000328394 504__ $$aIncludes bibliographical references (p. [189]-196) and index. 000328394 5050_ $$aOrchestras and concert music -- Grand opera -- Critics, composers, and conservatories -- Church music -- Amateurs and entrepreneurs on and off the stage -- "After the ball," "Come on and hear," and other songs they sang -- The gilt fades. 000328394 650_0 $$aMusic$$xSocial aspects$$zUnited States$$xHistory$$y19th century. 000328394 7001_ $$aOrr, N. Lee,$$d1949- 000328394 85200 $$bgen$$hML3917.U6$$iO44$$i2007 000328394 85641 $$3Table of contents only$$uhttp://www.loc.gov/catdir/toc/ecip078/2007000419.html 000328394 909CO $$ooai:library.usi.edu:328394$$pGLOBAL_SET 000328394 980__ $$aBIB 000328394 980__ $$aBOOK